Witches Travelling Tools


Just as most modern-day priests will carry
small versions of their consecrated tools with
them, in case they are needed, so every magical
practitioner can do the same. In some ways the
latter are more fortunate, particularly if they
work within the nature traditions, as they can
often use objects that are readily to hand and
dedicate them on the spot.

Invoking Air

 


The direction of this Element is east and the colour usually associated with it is yellow.

Incense is often used to represent Air, since the movement of the air can be seen in the incense smoke.

When you are looking for inspiration, need new ideas or perhaps to break free from the past or undesired situations, you would use this Element.

The quality associated with it is that of thinking or the use of the intellect.

When working in a magical circle, Air is the second quarter on which you call for protection.

The sylphs are the Air spirits; their Element has the most subtle energy of the four.

They are said to live on the tops of mountains and are volatile and changeable.

They are usually perceived with wings and look like cherubs or fairies.

One of their tasks is said to be to help humans receive inspiration

Invoking Earth


Traditionally the direction of this Element is
north and the colour normally associated with
Earth is green. It is represented on the altar
usually by salt or sand. Crystals, because they
are totally natural substances, can also be used.

When invoking Earth and the powers of the
north, you are looking for recovery and healing
and perhaps trying to find answers to questions.
These powers deal with gaining knowledge,
blessing, creating and shielding. When working
within a magical circle, this is the first corner or
quarter on which you call for protection.

The principal nature spirits of the Earth are
called gnomes. They are said to live
underground and guard the earth’s treasures.
Other groups within the earth’s nature spirits
ruled by the god Pan are brownies, dryads,
Earth spirits, elves and satyrs.

Ancient Beliefs and Magick Practices

Ancient beliefs and practices are the mainstay of
magic. Modern-day spells often have their roots
in ancient rituals and today’s rituals arise from
knowledge of age-old spells.
While we might make an attempt at defining
ancient beliefs as applied to the modern day, no
definition of magic has ever found universal
acceptance, and countless attempts to separate
it from religion on the one hand and science on
the other, have never been truly successful.
What one group of people may label magic,
another would label religion, and another
science. By choosing only one of these
classifications for magic, we close our minds to
all the other possibilities that are available to us.

Sacred Geometry

SACRED GEOMETRY MEANS different things to
different people. The artists of the
Renaissance period discovered the
Golden Mean – a ratio which helped them to

construct a perfect picture, calculated as
1:l.618034, an ‘irrational’ number. This concept
is still valid today.
To the architect, that same ratio – this time
called a Golden Section – is used to calculate a
standard proportion for width in relation to
height, as used in facades of buildings, in
window sizing, in first storey to second storey
proportion and at times in the dimensions of
paintings and picture frames – in fact,
wherever a pleasing proportion is desired.
For the botanist or zoologist this same
proportion is seen in nature in the spiral of
flower and leaf growth or in the symmetry of a
shell. Here we have the best arrangement so
that each leaf gets the maximum exposure to
light, casting the least shadow on the others.
This also provides to falling rain, so the rain is
directed back along the leaf and down the stem
to the roots. For flowers or petals, it displays
them to insects to attract them for pollination.
In fact, nature has developed a way of working
in an optimum fashion, and so too can we, if
we so choose.
We can learn to use geomancy, Sacred
Geometry, Feng Shui and indeed even old-style
medieval geomancy, to learn and understand
the currents within the earth and to divine how
best to live in peace and harmony with the rest
of the world.
There has always been something magical
about mathematics, and indeed, the ancients
thought that it showed Divine intention.
Platonic solids, which still fascinate today, were
used to prove various theories and to form
‘perfect’ shapes. The magical art of
manifestation pays homage to this in many
ways. The dodecahedron (a twelve-sided
shape) is potentially the most beautiful, but at
the same time most unstable, solid – surely a
magical figure.
Man’s efforts to understand the inexplicable
have led him down many highways and
byways. Perhaps the most fruitful initially for
the spell worker or magical practitioner
nowadays is to understand magical principles.

The main Feng Shui schools


Over the centuries many different schools of
Feng Shui have developed. The basic principles
are broadly the same, though each school has a
slightly different focus. There are three main
schools in existence today:
Form School
This school focuses on the features of the
surrounding landscape and the correct use of
the positioning of buildings – and, in former
times, burial sites – to gain protection from
inauspicious winds (feng) and provide
adequate water to sustain life (shui), though the
latter’s energy can be unpredictable.
A site or building, by tradition, needs the
protective or energizing force of particular
animals. (The Chinese believe that four celestial
animals guard the four directions: the dragon
to the east, the red bird or phoenix to the south,
the tiger to the west and the tortoise, enlaced by
a snake, to the north.) If landforms or other
natural features surrounding the site can be
seen as such symbols, then the location is
extremely fortunate. The building is protected
and/or energized according to its position. The
art of the practitioner is to minimize or deflect
bad energy (sha) and bring beneficial energy
(chi) to the establishment.
Compass School
This style of Feng Shui uses the eight major
trigrams of the I Ching (see pages 135-143 for a
full explanation) and relates them to the eight
principal points of the Compass. These are laid
out to form the eight-sided figure called the Pa
Kua, which is used to interpret the favourable
and unfavourable locations, not just for
buildings as a whole but also house floor plans
and room layouts. The Feng Shui practitioner
will advise on the correct placement of objects
within each ‘mansion’ and will often advise on
colour. The Compass school may also use the
Flying Star system, which takes into account
the astrological significances (calculated
according to the Chinese system) of the time at
which the house was built.
The Chinese compass works in the reverse to
the Western way of thinking, with the South at
the top of the diagram. Just as with Western

astrology and magical systems, in Chinese
thought, each direction is focused on certain
important areas of life or significances. Each
compass point and trigram has its own
‘Mansion’ within which are held the energies of
that direction, to be drawn on or mitigated at
will by the able practitioner.
Above are the significances of each of the
eight trigrams. These are, in order, Family
Position, Element, Polarity, Colour, Season, Area
of Life (most important) and, finally, the Shape
which enhances the energy of that section.
Black Hat Sect School
This is a more modern version of Feng Shui
which has its roots not only in traditional Feng
Shui but also in Tibetan Buddhism and Taoism.
In this school, the Pa Kua (often called the Ba
Gua) is used, but it is based on the direction of
the front door of the building, rather than the

compass points. The house or room is divided
into eight sectors, similar to the Eight
Mansions, each one having a bearing on an
aspect of life that might need enhancing.
Shown opposite is a Pa Kua calculated for a
house that has recently been purchased. Using
Chinese astrological calculations, a ‘fit’ must be
found between the occupants’ life energy and
the energy of the house. There are four helpful
areas (Longevity, Prosperity, Health and
Excellent) and four unhelpful areas (Death,
Disaster, Irritation and Spooks – also known as
the ‘Six Curses’). The diagram has been drawn
in accordance with the Western method of
having south at the bottom of the diagram.
The energy of this house is very much in
accord with the birth date of one of the
occupants, yet there are certain problems
associated with it in that, for instance, the
kitchen is in the ‘Death’ area. This means that

either the kitchen must be moved, which is not
immediately practical, or certain changes must
be made within the area to minimize risk. There
is a toilet in the house within the ‘Spooks’ area,
but with a little thought this can be used to
keep the area clear – one simply remembers to,
quite literally, ‘flush away’ the negativity.
Presenting Feng Shui in such a simplistic
fashion in no way honours the art as it should
be. It is much too complex a subject for that,
and true practitioners will study for many
years to perfect their skill and reach the state of
Perfect Man. Feng Shui is one of the ways of the
philosophy known as Tao, which assists us to
remain in harmony with ourselves and the
environment.

Feng Shui

ONE OF THE most important adjustments
that we can make as we begin to work
consistently with magic is to the
environment in which we live and to our own
personal space. As we reach an internal peace
we create tranquillity around us, but equally
our environment must nurture us. For the
practitioner this means understanding both our
living space and our own subtle aura – or
energy field – created by our own vitality.
Scientific discoveries that were made during
the 20th century mean that we are becoming
more and more aware of the constantly shifting
fields of energy through which we move in our
daily lives. Today we call them electromagnetic
fields and talk of ‘adjusting the flow’. This
concept of energy fields is by no means new,
however, because the fact that there was subtle
movement between the two polarities of yin
and yang (negative and positive) was
recognized as far back as 5,000 years ago in the

I Ching (The Book of Changes), which we shall
study in more depth later.
The art of Feng Shui gives an understanding of
these energies and movements, both tangible
and intangible; it is the art of correct placement.
Good Feng Shui practitioners will understand
the processes of transformation, both internal
and external, which can take place when we are
in tune with our environment and will do their
best to balance the external energies in a way
that is appropriate for the task in hand, whether
that is creating a harmonious home, a
productive working space or a healing vibration.
To understand the theory of Feng Shui we
must first redefine our understanding of
divination. Divination – in this case using the I
Ching and the hexagrams as a tool – means
being able to ascertain the most likely course of
events should we be able to adjust any or all of
the energies when we are out of balance. It
consists of working with the flow of essential
energy and making very subtle adjustments
when necessary, so that we approach the ideal
or the divine as closely as possible.
Feng Shui can have an effect on every aspect
of our lives. The way it is applied can be either
beneficial or detrimental (or both) to the way
we live and to the surrounding environment. It
is by no means a game or fad, but it is a way to
live in harmony with nature, as it is understood
in the Tao, so that the energy surrounding us
works for us rather than against us.
In the West, Feng Shui is not yet accepted as a
science, since its principles cannot yet be
proved by science – although it does require
mathematical calculation. Neither a religion, a
philosophy nor a belief system, it puts into
practice tools and techniques that enable us to
be as perfect as we can and remain so.
A system that has stood the test of time
naturally changes to keep pace with
knowledge, and it is unfortunate that the
superstitious ‘silly’ side of the wealth of
information available to practitioners of Feng
Shui has received so much publicity in recent
times. The judicious placing and use of mirrors,
wind-chimes of a certain type of material, or
crystals hung in windows do all enhance the
available energy, but only when carried out
according to strict laws of correspondence.

Geomancy

THE WORD GEOMANCY (from the Latin geo,
‘Earth’, mancy ‘prophecy’) had a different
meaning in ancient times from that it has
today and we shall deal with that aspect first. It
was a method of divination used to interpret
markings on the ground or how handfuls of dirt
landed when you tossed them, and was therefore
the reading of patterns or signs. Geomancy
seems to have appeared as a word in the
language used by the common people in 1362,
and was one of the most popular forms of
divination throughout the Middle Ages. It was
apparently suggested to the Pope of the time that
it should be integrated into Catholic teachings.
In this form geomancy was – and indeed still
is – a practice which involved marking sixteen
lines of dashes either in sand or soil with a
wand, or, as practised nowadays, on a sheet of
paper with a pencil. This is similar to other
divinatory methods. The English version of
geomancy involved grouping the marks on the
ground into ‘constellations’ with names like Via
and Puer, which could then be interpreted.
Once used by commoners and rulers alike, it
was probably the basis for the Oraculum said to
have been used by Napoleon Bonaparte. This
was also known as the Sibylline Leaves, and
consisted of a set of instructions, which show
the user how to reduce their question to a set of
asterisks laid out in various patterns. The
answer is divined from these patterns.

Today there are those who have redefined
geomancy and taken it away from divination to
a point where human consciousness meets,
understands and appreciates the energies of the
earth. By understanding the interaction
between humankind and the earth on which
we live, it enables us to live harmoniously with
Gaia (Mother Nature) as a complex entity
involving the earth’s biosphere, atmosphere,
oceans and soil.
Geomancy is actually the practice of
identifying the subtle energies of the earth that
directly affect our health and well-being. It
involves pinpointing those energies that are
disruptive to our lives and balancing them. It
encompasses, as knowledge spreads, the art of
the proper placement of both public and
spiritual structures, places where we pray, work,
play and live. Now, geomancers can find and
shape spaces in harmony with both the physical
and the spiritual environment of a place. We can
do this through Western knowledge of Sacred
Geometry or through the Chinese art of Feng
Shui (literally meaning ‘wind and water’).

Customs Associated with Birth

There are, in fact, several customs associated
with birth and the surrounding period which
have survived without people today necessarily
appreciating their magical significance. In Celtic
lore, the ‘toadstone’ protected the newborn
from evil spirits and the Virgin Mary nut,
actually the seed of the plant Entada scandens,
counteracted birth pains. The shell of a sea
urchin, known as the ‘cock’s knee stone’ – but
also representative of the Virgin – has also
always been considered to bring good fortune.
Birth and death were, in the minds of people
whose lives depended on the cycles of the
seasons, very closely connected. This led to a
perhaps greater understanding of the two great
events in life than we have today. ‘Primitive’
societies accepted that there would be loss and
deprivation through disease around these
times and the people would use anything that
they considered powerful to help them.
Magical stones were often used as protection
against disease, which was generally believed
to have been brought by demons and evil
spirits. It was said that healing stones could
impart their qualities to water and this ability
can still be seen today when healers use
crystals, or elixirs infused from crystals, in their
healing. In both Scotland and Ireland there are
many tales of the existence of such stones.
Many plants and herbs were also regarded as
specifics against bad spirits. For example, rowan
or mountain ash, even today, is often to be found
close to isolated cottages or near standing stones
as a form of protection. The berries were thought
to be the food of the gods. St John’s Wort was
often carried as a charm against witches and
fairies – in the Isle of Man it is said that a fairy
horse will rise from the earth and carry you
about all night if you tread on the plant.

Incenses are a natural outcome of this use and
today we are fortunate to have relatively easy
access, particularly via the internet, to the
ingredients which are necessary to allow us to
use ancient knowledge. Throughout the book
there are various recipes for incenses which can
be used specifically for protection or as a quick
solution to the various problems which can be
met on a day-to-day basis. As people become
more sophisticated, but equally more aware,
problems such as the evil eye do not seem to be
particularly relevant, yet jealousy and envy can
be a huge cause for concern, both nationally
and globally.

To Protect a Newborn Baby


This spell uses crystals and symbolism. The
blue stone is reputed to bring about harmony in
relationships and to help its wearer to be true to
themselves, and to be able to openly state their
opinion. The blue bead or stone used here
should preferably of lapis lazuli, which is
considered a stone of truth and friendship.
YOU WILL NEED
Blue bead or small stone with a hole
Copal or cedar incense
White candle
Bowls of salt and water
Safety pin
METHOD
✤ Light the candle and the incense.
✤ Pass the bead and then the pin through the
candle flame, the smoke, the salt and the water.
✤ Repeat the following as many times as you
feel necessary:
Great Mother, I ask protection for [name]
That he/she may not come to harm
From forces of evil on this or any other plane.
✤ Put the bead on the safety pin and say:
Through this gift I thee implore
Keep him/her safe for evermore.
✤ Now pass the bead and safety pin three times
through the incense smoke, being aware of
the available power to protect the new
arrival.
✤ Traditionally, the gift is then pinned safely to
the baby’s shawl.
✤ Let the candle burn out

Since a newborn baby is still so close to its Creator,
only the best and highest vibrational incenses and
materials are used. Copal incense is one of the purest
and most sacred that there is. It is believed to help
open the soul and can stimulate imagination,
intuition and creativity. Cedar is used to carry
prayers to the Creator. It is used to bridge the gap
between heaven and earth and is often associated
with breaking misuse of power or powerful forces
that may be having a negative influence.

Protections and Purifications


There are many folkloric remedies for the evil
eye, ranging from painting an eye on the prow
of a boat in the Mediterranean, supposedly to
outstare the sorcerer, to passing a plate filled
with burning coals three times round the head
of the victim in India. Iron is always a good
specific against the curse of the evil eye, as also
are mirrors or glass beads, which dazzle.

By and large it is the idea of envious glances
that is the basis of the superstitions and
customs surrounding the evil eye. In Turkey,
many parents keep new babies out of public
view for forty days, lest their beauty invite a
jealous glance. In Jewish and Kabbalistic lore,
the evil eye is known as ayin harah and what
follows is a variation of a charming technique
to protect a new baby from ayin harah.

Removal of the Evil Eye


YOU WILL NEED
Lemon
Iron nails
METHOD
✤ Drive the nails with some force into the lemon.
✤ Visualize the evil eye being pierced.
✤ Keep the lemon for three days, by which time
it should begin to rot.
✤ If it does not, repeat the procedure.
Here you have externalized the difficulty, checked that
the spell worked and repeated the procedure if not. You
could then repeat the diagnostic procedure to ensure
that you are clear.
The Greek Orthodox Church does forbid
people to go to ‘readers’ or other individuals
for use of magical rituals to overcome the evil
eye. It is stated quite categorically that such
people take advantage of the weakness of
superstitious people and destroy them
spiritually and financially by playing upon
their imagination. However, Vaskania – which is
another word for the evil eye – is recognized
simply as a phenomenon that was accepted by
primitive people as fact. It is the jealousy and
envy of some people for things they do not
possess, such as beauty, youth or courage.
Though the Church rejected Vaskania as
contradicting the concept of divine providence,
the prayers of the Church to avert the evil eye
are an implicit acceptance of its existence.
In Scotland it seems that the evil eye was
more often associated with women and
therefore inevitably with the crone, or wise
woman, than with men. Anyone with a squint
or eyes of different colour could be accused of
possessing the evil eye and of using it to cause
harm or illness. A charmed burrach or cow
fetter could be used to protect animals. Other
preventative measures could also be taken,
some using plants and trees – such as rowan
and juniper – and others using horseshoes and
iron stakes. This next technique explains one of
the most-loved pieces of Scottish jewellery

Diagnosis of the Evil Eye


YOU WILL NEED
Olive oil
Bowl of water
METHOD
✤ Drip three drops of olive oil on the surface of
the water.
✤ Watch what happens.
✤ If the drops remain distinct there is no evil eye.
✤ If they run together there is.
✤ Dispose of the oil and water safely.
✤ There are many ways of removing the evil eye.

THE EVIL EYE

The evil eye is an ancient, widespread and
deeply held belief in more than one third of the
world’s cultures, but is particularly strongly
feared even today in countries of Mediterranean
origin, and also in Celtic countries. Different
cultures have different ways of dealing with this
nuisance.
In Greece, it is thought that it doesn’t take
much to get the matiasma, or the evil eye. If
anyone so much as admires your shoes, even
from a distance, this envy can put a spell on
you. Anyone with blue eyes is particularly
suspected of being able to cast the evil eye.
It is believed that mothers have a particular
ability to remove it if their son is afflicted.
Though the knowledge is passed from mother
to daughter, a woman will not always learn the
prayers necessary to do this until she becomes
a mother herself. At that time she is prayed for
herself thus, since she is considered vulnerable:
…and with bright, shining Angels enfold and
cherish her, guarding her round about against
every attack of invisible spirits; yea, Lord, from
sickness and infirmity, from jealousy and envy, and
from the evil eye.
A mother can diagnose and then remove an
attack of the evil eye in the following way

Winter’s End

YOU WILL NEED
White candle
Corn dolly
Fireproof receptacle
Either the sticky burrs from a cleavers plant
(which has a cleansing effect) or several pieces of
paper on which you have written your irritations
METHOD
✤ Light the candle.
✤ Cup the corn dolly in your hands and review
the previous year, particularly winter.
✤ Attach as many of the sticky burrs as you can
to the corn dolly, making each one represent
something that has irritated you.
✤ Alternatively, tuck the pieces of paper into the
corn dolly.
✤ Carefully set the dolly alight and place it in
the receptacle.
✤ As the dolly burns say these words or similar:
Begone dull and nasty times
Welcome moments fine
I greet the new times with joy and laughter
✤ When the corn dolly has burnt out, bury the
ashes as an offering to the earth or dispose of
them in running water.
Nature-based religions gave way to the Christian in
other ways as well. For example, the four-leaved
clover has long been associated with the sun, good
fortune and luck. To pagans it also represented the
Goddess form, the quaternity – the fourfold aspects
of deity

In Ireland, St Patrick is thought to have used
the trefoil (three-leaved clover) to demonstrate
the principle of the Holy Trinity – Father, Son
and Holy Spirit – to his followers. He would
have used material that was readily available to
him rather than the rarer and more magical
four-leaved plant, and would thus have
signified the move away from intrinsic magical
knowledge associated with Mother Earth.
Incidentally, the clover plant is thought to give
the wearer the ability to see the fairy form.

Making a Corn Dolly

YOU WILL NEED
Two small handfuls of corn stalks
Green and yellow wool or cotton
Trailing greenery (ivy or grape vine are ideal)
Appropriately coloured ribbons for the ritual
(e.g. red or orange for Lammas)
METHOD
✤ Take one handful of corn stalks.
✤ Just below the top, bind the stalks with the
yellow cotton, tying securely.
✤ 3–5 cm underneath, bind the stalks again; this
forms the head of the doll.
✤ Carefully divide the bound bundle into four
strands. (The outer two will form the arms,
the middle ones the body.)
✤ Gently bend the stalks which represent the
arms and bind carefully with the yellow
cotton.
✤ Bind the two middle pieces together, crisscrossing the cotton to create a body
approximately 10–15 cm (4 in) long.
✤ Use the green cotton to bind the two middle
lower sections to represent legs.
✤ Ask for a blessing from an agricultural god.
✤ You might say:
God of plenty, bless now this image of your
fertility.
✤ Decorate with the ribbons and trailing
greenery

To represent a feminine deity, leave the bottom section
free so that it looks like a skirt. The representation of
the male god can also be used at the time of Mabon –
the Autumn Equinox – or at Saturnalia in December.
Here is a simple technique for your own use,
which commemorates the Burryman and
shows you how to make use of a corn dolly.
Ideally at Homstrom you would be getting rid
of an old dolly, simply by burning it. Lammas
would be the time to make a new one for you to
keep over the winter.

Folklorist Belief

FOLKLORISTS BELIEVE THAT the first festivals
arose because of the anxieties of early
peoples who did not understand the
forces of nature and wished to placate them.
The people noted the times and seasons when
food was plentiful or not and reacted
accordingly. Harvest and thanksgiving festivals,
for instance, are a relic from the times when
agriculture was the primary livelihood for the
majority. Festivals also provided an opportunity
for the elders to pass on knowledge and the
meaning of tribal lore to younger generations
and give them the opportunity to let off steam
in an acceptable yet controlled way.
General agreement exists that the most
ancient festivals and feasts were associated with
planting and harvest times or with honouring
the dead. These have come down to us in
modern times as celebrations with some
religious overtones. Harvest festivals are still
carried out in many Christian churches and
celebrate the fullness of the harvest. Among the
most attractive are the harvest-home festivals in
Britain where, in the autumn, parish churches
are decorated with flowers, fruits and vegetables.
Harvest suppers where a community join
together to celebrate the bountiful harvest have
their beginnings in the pagan beliefs of the three
harvest sabbats

Death and Resurrection in Pluto

Pluto in a nutshell is all about death and resurrection, the unknown and secrets, and cosmic purpose and destiny. But what about the moons? All of Pluto’s moons have great significance and are tied to The Underworld. Let’s dive in!
Charon – named after the ferryman that takes souls to The Underworld; he often is paid with a coin. The correspondences relating to Charon are relating to the process of a transformation, and can be invoked for assistance in said process or in helping spirits cross over. Charon can also assist in travel spells.
Hydra – named after a serpent-like monster said to reside at the entrance to The Underworld. The correspondence relating to Hydra is multiplying strength, and can be invoked for assistance in spells for personal power or protection that multiplies/strengthens with every hit.
Kerberos – named after the three-headed guard dog of The Underworld. The correspondences relating to Kerberos are protection and intimidation, and can be invoked for powerful protection spells, wards, etc.
Nix – named after the goddess of night, Nyx. The correspondences relating to Nix are the night, dreams, darkness, and intimidating feminine power, and can be invoked for nighttime magick or help finding a way in darkness. Nix can also assist in “dark” magick, a unique type of glamour magick, or magick fit to help bring about power. Styx – named after the goddess of the River Styx, aka the primary river between the Earth and Underworld. The correspondences relating to Styx are invulnerability, hatred, and strong promises, and can be invoked for invulnerability spells and curses of hatred. Styx can also be invoked for any death/cosmic witchery including the element of water. 

What is it about mirrors that can fascinate and frighten us?


They have been around for thousands of years in one form or another, and over time so many folktales and superstitions have been developed around them. Going back to ancient times mirrors were used to scry, this was a mystics way of seeing distant places, people and the future. The Romans believed that to break a mirror would bring bad luck for 7 years. There were also beliefs that the reflection bore the soul of the individual and by studying the person’s reflection could gain insight into their true nature. It is possible that this belief gave rise to vampires not having a reflection as they would have no soul. In the Jewish faith, it is important to cover all mirrors in a house where someone has died. If they are not covered the deceased may enter a mirror and become trapped, unable to move on. Monks would place tiny mirrors on a small slender stick which they could slide up beside their nose so they could see spirits in the reflection using their peripheral vision. Then we move into newer urban legends like standing in front of a mirror and calling for Bloody Mary three times.
Are mirrors a portal for ghost?
Many believe that mirrors can be used as a portal by ghosts and other entities allowing them to enter your home. Many reports have been made regarding antique mirrors and paranormal activity. Some legends say by sitting in front of a mirror in a darkened room with nothing more than a lit candle and gazing into a mirror will allow you to see spirits if they are present in your home. A more complicated version of the above is called the Psychomanteum or Apparition booth. This a darkened room with a series of mirrors set up in a specific way to allow the viewer to see and even communicate with spirits. But what is it that allows the mirror this perceived power, is there something to all of this? I have in my time as a paranormal investigator had my share of strange occurrences with mirrors. In one investigation of a family under siege by spirits a great deal of activity had to do with an antique mirror in their bedroom. The first thing to happen was each time this malevolent spirit seemed to show up there was a heavy thump from the master bedroom. In one of these events the home owner who took it upon themselves to constantly carry a camera everywhere in the house was near the bedroom when he heard this sound and a moment later snapped several pictures of the bedroom. One photo which showed the mirror displayed a strange scene in the reflection. Under later analysis the image in the mirror showed a woman in an old style dress coming down an ornate staircase, two open doors with a tall man in a black suit stood in this doorway with his back to the scene and a small child with a toy or doll looking up at him. Nothing like that in the bedroom would produce such a reflection and was unexplainable. The first speculation was the mirror was a doorway. After a few months of study I found a location that fit the reflection in the mirror. The haunting was taking place in a town house that was once the servant residence for a grand old mansion. When I finally entered the mansion’s main floor, there it was, the same stairway and the two doors, it was an exact match. But how could a scene in a house a 1000 yards away play out in a mirror in a second floor bedroom? So I decided to conduct an experiment by covering the mirror with a thick black cloth in hopes of closing the doorway. Funny thing about closing doorways as I and the home owner quickly learned; as to all the banging and furniture moving in that bedroom it would be wise to only close a doorway when the spirit has left the house in question. Seems we had sealed his exit. So what is it about mirrors, specifically older mirrors that seem so attractive to spirits? Well most older mirrors have a silver metal coating back and silver is a very interesting metal. Seems that silver atoms and there electrons are not densely packed. Electrons interact with light waves which cause the electrons to move and thus cause the light waves to reflect. Interestingly the electrons can match the speed of the visible and slower infrared frequencies and reflect them back, however in the case of ultraviolet light frequencies these are much to fast and pass through the mirror. Silver which is used in a great deal of these mirrors have the highest electrical and thermal conductivity of any metal on the periodic table and one of the greatest optical reflectivity available. It also has the lowest contact resistance of all metals. Remember light is an electromagnetic field and silver is electrically conductive which will cancel the field and cause the wave to reflect away from the mirror. I have theorized for many years now that spirits have an electromagnetic field in the higher ultraviolet range of frequency. If this is the case the conductivity of a silver back mirror would be attractive as a doorway and the fact that if these spirits operate at higher UV frequencies they would not cancel out but rather pass through the mirror with ease. Just a theory, way more experiments to go on this one.

FOLKLORE ON A Stopped Clock

Lets examine the curious and sometimes sinister superstitions that have grown up around clocks over the years, and related how a stopped clock was often related to a death in many folk beliefs. Now this widespread superstition comes in two main variants, firstly there is the common tradition that a clock is stopped when some one dies. These days most people are familiar with it from a scene in the popular film Fried Green Tomatoes (1991), and the origin of this funereal custom has prompted much speculation over the years.

A commonly touted explanation is that folks stopped the clock when a loved one died so that the time of death was recorded accurately for when the doctor or similar vassals of officialdom came a-calling. However while this theory sounds all well and good, there is a problem with it – for it assumes that in ages past, our ancestors recorded deaths on certificates like we do today. However, death certificates requiring a doctor’s signature and attested details such as time and cause of death are a relative modern phenomena, with centralized death records only coming into effect in the late 19th century, and in the US death certificates were not introduced until 1910. Before then, deaths were recorded in parish registers and required far less details. But there are many sources that record this superstition dating back well before modern death certification came into effect.

So then, what was the origin of the custom? Another theory that has been advanced is that in olden times, clocks were large and noisy, and hence to silence the loud ticking they made, they were stopped, so to allow mourners to grieve in silence. A variation of this theory states that clocks in the room where the deceased was laid out were stopped so mourners did not worry about how long they spent paying their respects! Again both of these theories sound ostensibly plausible, but actually do not entirely fit the lore we have recorded. For many variations of the belief hold that the clock should remain stopped until the body is carried out of the house for the funeral. Then, and only then, may the clock be started again. It was therefore, a kind of symbolic gesture, acknowledging that for the dear departed time itself had stopped. Indeed this is made clear in one of the earliest references to the belief. In 1825, the Newcastle Magazine reports that –
At a northern latewake… the clock is shrouded and stopped, to signify that time has become a blank (for the deceased)
It has been also speculated that stopping the clocks is also a sign to the deceased’s spirit that their life is over and they must now move on from this life; quite literally a way of telling the dead ‘your time has ran out’. However it is also very possible that it is related to our second famous superstition about stopped clocks – that a timepiece will mysteriously stop when a loved one dies.

Now in the world of folklore, cause and effect is often not a linear process. Many superstitions originate in the same magical philosophies that give rise to sympathetic magic. Everyone knows the famous example of this – the voodoo doll, but as we saw in a previous article on witch bottles, sympathetic magic was a two way street – hence an evil curse could be rebounded back to the sender by example the magical ‘sympathies’ that power the original spell. Hence stopping a clock when someone dies may be similarly exploiting a magical sympathy, in this case to prevent the Reaper making a second call to the household too soon.

Clocks that mysteriously stop when a death occurs is often thought to be merely a hokey old plot device, with many crediting a hit song, My Grandfather’s Clock for being the origin of this superstition. Certainly this perennial favourite, written by Henry Clay Work, is a very old work, being first published back in 1876 (and if you are not familiar with it, the lyrics will be reproduced at the end of this article). And it is true too that the song has been massively influential – for it is thanks to Work’s song that we call grandfather clocks by that term – previous to this ditty they were known as long case clocks, floor clocks or tall clocks!

However what few people realize is that the song was inspired by a true life case. In the north of England, there is a little town called Piercebridge which is home to an old pub, The George Inn. Some one hundred and sixty years ago, The George was a coaching inn, run by two brothers named Jenkins. Their pride and joy was a long case clock made by the famed Thompsons of Darlington, for at the time Thompson clocks were renowned for their precision and accuracy with many famous clock-makers learning their trade at James Thompson’s workshop on High Row in Darlington. And by all accounts, The George Inn’s clock was exceptionally accurate, a very handy thing for travelers to a coaching inn.

However when one of the Jenkins brothers died, the clock began to lose time on regular basis. And when the surviving brother passed away aged 90, the clock, although fully wound, stopped. The new manager of The George attempted to get the clock running again, and despite being examined and rebuilt by Thompsons, the clock would not run. And indeed it never ran again, and can still be seen to this very day in the foyer stuck at 11.30. Now Henry Clay Work stayed at The George in 1874 and heard the tale of the stopped clock, and was thus inspired to write his famous song.

So if My Grandfather’s Clock wasn’t the origin of this superstition, where did it originate? Well according to documents left by the King’s Clockmaker, a Mr Vullamy, a clock in the royal household mysteriously stopped when George III died in 1820. And this historical oddity has been claimed to be the inspiration for the belief. However even a small amount of research will uncover a host of similar stories, and it appears that rather than being a folk belief, clocks do stop when some one dies. Now skeptics of course will claim that this is merely a trick of probability – and that obviously some people will die at the exact moment a clock that can be seen by relatives stops.

However while invoking that old favourite agent of debunking, Coincidence, seems all very rational and scientific, at the same time it is hard not to feel a little chill when reading account after account of people reporting clocks and watches stopping at the moment of a death. Particularly when you have reports of modern digital and electrical timepieces suddenly stopping, and even multiple clocks stopping when the death occurs. It is apparently a common enough phenomena for many doctors and nurses to have noted it as something that happens often when some one dies.

Some have even theorized it may be some electro-magnetic effect, generated biologically when some one dies that is to blame, for it is a scientific fact some people’s bodies do carry a certain electro-magnetic charge that will stop any watch they wear. Perhaps when we start to see ourselves more as complex electromagnetic events than just bags of meat, when biology gains a deeper understanding of the electrical energies that are so vital to making us living, thinking creatures, science will get us an answer. Until then however we cannot rule out the Reaper’s bony fingers stopping the clocks to say “Time’s up…”

MY GRANDFATHER’S CLOCK
by Henry Clay Work

My grandfather’s clock was too large for the shelf,
So it stood ninety years on the floor;
It was taller by half than the old man himself,
Though it weighed not a pennyweight more.
It was bought on the morn of the day that he was born,
And was always his treasure and pride;
But it stopped short — never to go again —
When the old man died.

Ninety years without slumbering
(tick, tock, tick, tock),
His life’s seconds numbering,
(tick, tock, tick, tock),
It stopp’d short — never to go again —
When the old man died.
In watching its pendulum swing to and fro,
Many hours had he spent while a boy;
And in childhood and manhood the clock seemed to know
And to share both his grief and his joy.
For it struck twenty-four when he entered at the door,
With a blooming and beautiful bride;
But it stopped short — never to go again —
When the old man died.

Ninety years without slumbering
(tick, tock, tick, tock),
His life’s seconds numbering,
(tick, tock, tick, tock),
It stopped short — never to go again —
When the old man died.
My grandfather said that of those he could hire,
Not a servant so faithful he found;
For it wasted no time, and had but one desire —
At the close of each week to be wound.
And it kept in its place — not a frown upon its face,
And its hands never hung by its side.
But it stopped short — never to go again —
When the old man died.

Ninety years without slumbering
(tick, tock, tick, tock),
His life’s seconds numbering,
(tick, tock, tick, tock),
It stopp’d short — never to go again —
When the old man died.
It rang an alarm in the dead of the night —
An alarm that for years had been dumb;
And we knew that his spirit was pluming for flight —
That his hour of departure had come.
Still the clock kept the time, with a soft and muffled chime,
As we silently stood by his side;
But it stopped short — never to go again —
When the old man died.

Ninety years without slumbering
(tick, tock, tick, tock),
His life’s seconds numbering,
(tick, tock, tick, tock),
It stopped short — never to go again —
When the old man died