Yellow Rose Charm

Dab a small amount of your favourite perfume or cologne on a tissue. Take a long-stem yellow rose, and with great feeling and emotion, charm it with the following verse:

The stars above, in darkness shine,
With light that fills the heavens divine.
So bright with radiance our love glows,
It outshines the sun and dims all foes.

Wrap the rose in the scented tissue and place in the refrigerator. As soon as possible, find the opportunity to give it to the one you love.

Marriage Charm

Bind two small gold rings together with a white ribbon. Hold the bound rings in both hands as you chant the following

over them:

With body and spirit
As these rings entwine
Unite our souls
Our essence combine.

Place the rings in your pocket or purse. Carry them with you whenever you are with the one you wish to marry.

Cleansing Chants

The following cleansing chants are patterned on rhymes taught to Laurelei in her first cuveen, although they have been altered a bit (in some cases, quite a bit).

Each portion of the chant requires a Witch to walk the compass either once or thrice, wielding the appropriate (and obvious) cleansing tools.

Smoke and fume, now as you burn,
cause all harm from us to turn;
let nothing harmful here be found,
as we tread the witch’s round.

Fire that burns and light that glows,
send all harm away from us;
let nothing harmful here be found,
as we tread the witch’s round.

Water and salt, brine of the sea,
wash this circle clean and free;
let nothing harmful here be found,
as we tread the witch’s round.

Besom sweep and besom clean;
above, below and in between;
let nothing harmful here be found,
as we tread the witch’s round.

Magick Chanting

In ritual, the repetition of sacred or magical words, names and phrases to alter consciousness and raise psychic power.

Chanting, done in conjunction with dancing, drumming, visualization and body movements and postures, is one of the oldest and most universal techniques to align human consciousness with the
realms of spirits and the gods.

The principle behind chanting is expressed in the Eastern mystical concept of the mantra, sacred words or the names of God/Goddess, which are chanted verbally or silently.

The term mantra means “to protect,”, especially the mind.

The mantra harnesses the power of the vibration of shabda, sacred sound.

The repetition of mantras unleashes certain cosmic forces that drive deep into the consciousness, down to the level of the cells.

When a name of God/Goddess is chanted or repeated, for example, a person thus aligns every cell in his or her being with the highest divine consciousness possible, imbuing that consciousness into his or her being.

The alignment of consciousness raises a tremendous psychic power for creating change.

In magic, this power is utilized in spellcraft. When the power is raised, the spell (a desired goal or outcome) is chanted forcefully.

The energy sent out into the spiritual realm thus works to manifest change in the physical realm.

Chanting has been an important part of magical rituals since ancient times.

In ancient Greece, female sorcerers were said to howl their magical chants.

Early and medieval sorcerers and magicians also chanted their incantations in forceful voices, a practice carried into modern times.

Folk witches chanted their charms and spells.

The chants of contemporary Witches and Pagans may be names of Goddess or Horned God, rhymes, charms, alliterative phrases, or sacred words or runes (chant-songs) derived from various spiritual traditions.

Chanting may be done during a ring dance that accelerates in tempo (thus contributing to the raising of power), or while working with cords.

In shamanic traditions, shamans chant power songs that follow rhythms and melodies that have been passed down through generations.

The words vary according to the individual.

Power songs help a shaman achieve an altered state of consciousness for healing or divining.

The chanted songs are monotonous, have short refrains, and have different purposes.

Almost every very shaman has at least one chant to summon his power animal or guardian spirit, which provides the source of his shamanic powers.

Native Americans have chants for the undertaking of many activities, such as hunts, battles and weather control, and funeral rites and initiations.

Curing chants are important in Navaho ceremonies.

The chants are long texts in which are entwined myths about how the chants were performed for the first time by deities or supernatural beings.

The chanters must chant the texts perfectly, or chanting else the cures are nullified.

Incorrectly rendered chants also will strike the chanter with the illness they are supposed to cure.

The chants may go on for days and nights.

A chanter is assisted by helpers, all of whom are paid for their work.

If a chanter of great repute fails to cure an illness, he usually blames witchcraft as the reason.

If sickness has been caused by a witch’s spell, only Evil Way chants will be effective.

Navaho chanters take care not to perform the same chant more than three times a year, lest they suffer the illness they cure

Celtic Six Cord Handfasting Ritual

Know that before you go further since your lives have crossed in this life, you have formed ties between each other. As you seek to enter into this state of matrimony, you should strive to make real the ideals which give meaning to both this ceremony and the institution of marriage.

With full awareness, know that within this circle, you are not only declaring your intent to be handfasted before your friends and family but that you speak that intent also to your higher powers. The promises made today, and the ties that are bound here, greatly strengthen your union; they will cross the years and lives of each soul’s growth.

Consent

Do you still seek to enter into this ceremony? “yes we seek to enter”

HandFasting

I bid you look into each others eyes.

________ will you cause him/her pain? “I may”.

Is that your intent? “No”.

________ will you cause him/her pain? “I may”.

Is that your intent? “No”.

(to both) Will you share each other’s pain and seek to ease it? “Yes”.

And so the binding is made. Please join hands.

(First cord is draped across Grooms’ or Brides’ hands)

________ will you share his/her laughter? “Yes”.

________ will you share his/her laughter? “Yes”.

(to both) Will you both look for the brightness in life

and the positive in each other? “Yes”.

And so the binding is made. (Second cord is draped)

________ will you burden him/her? “I may”.

Is that your intent? “No”.

________ will you burden him/her? “I may”.

Is that your intent? “No”.

(to both) Will you share the burdens of each

so that your spirits may grow in this union? “Yes”.

And so, the binding is made. (Third cord is draped).

________ will you share his/her dreams? “Yes”.

________ will you share his/her dreams? “Yes”.

(to both) Will you dream together

to create new realities and hopes? “Yes”.

And so this binding is made (fourth cord is draped).

________ will you cause his/her anger? “I may”.

Is that your intent? “No”.

________ will you cause his/her anger? “I may”.

Is that your intent?” No”.

(to both) Will you take the heat of anger

and use it to temper the strength of this union? “We will”.

And so this binding is made (fifth cord is draped).

________ will you honor him/her? “I will”.

________ will you honor him/her? “I will”.

(to both) Will you seek never to give cause

to break that honor? “We shall never do so”.

And so this binding is made (drape sixth cord). (Cords are tied with three knots)

“The knots of this binding are not formed by these cords but instead by your vows. Either of you may drop the cords, for, as always, you hold in your own hands the making or breaking of this union”.

Celtic One Cord Handfasting Ritual

The officiant holds the cord and says to the couple: Please hold each other’s hands (palms up and her hands resting in his).

____________ and ____________ this cord is a symbol of the life

you have chosen to live together. Until this moment you have been separate in thought, word, and deed. But as this cord is tied together, so shall your lives become intertwined. With this cord, I bind you to the vows that you have made to one another. With this knot, I tie you heart to heart, together as one.

The Officiant wraps the cord loosely around the Grooms’ or Brides’ wrists to tie a “love knot”.

Officiant says: The knot of this binding is not bound by the cord, but rather, by your own vows of love. For, as always, you have in your own hands the making or breaking of this union. May this “love knot” always be a reminder of the binding together of two hands, two hearts, and two souls into one. And so are you bound, each to the other, for all the days of your lives.

Cord may then be removed and placed on the altar. Many couples choose to keep the “love knot” as a memento of their new union created that day.

The Celtic Tree Calendar

The Celtic Tree Calendar is a controversial subject. It is a calendar which contains 13 lunar divisions (or months), each one associated with and ruled over by a specific tree. Each tree has a Celtic Ogham symbol associated with it (from the Celtic Ogham Alphabet). Each of the themes of the months tie in with Celtic culture and mythology.

However, it is controversial because there is no actual evidence that the ancient Celts ever used the Celtic Tree Calendar. It is believed by many that this belief was in fact fabricated by author Robert Graves. The works he used to devise this system mentions sacred trees, but not months, and so many believe that the calendar system itself is completely made up. One big ‘giveaway’ is that the calendar starts at January, whereas the Celts generally considered Samhain to be the end of the year.

Whether it has origins with the ancient Druids, there is no doubt that they held trees as sacred beings, and this has been well documented. Many Celtic witches and Druids use the Celtic Tree Calendar as a part of their studies – I personally observe it out of interest but don’t really work with it ‘hands on’ as it were. The meanings behind the sacred trees however are much more credible. Below are the 13 tree months and a brief description of their meanings:

Birch Moon: Dec 24 – Jan 20: A time of rebirth and regeneration. The Celtic name for this month is Beth, pronounced beh. Any magick done in this month favours new endeavors. Magicks around healing, fertility and protection are also good to cast at this time.

Rowan Moon: Jan 21 – Feb 17: The Rowan Moon is associated with the Celtic Goddess Brighid. It was known by the Celts as Luis (pronounced loush). This particular month is associated with success and personal power, initiations and dedications, and astral travelling or hedge riding.

Ash Moon: Feb 18 – Mar 17: The Ash tree was revered not just by the Celts. In Norse mythology the world tree Yggdrasil was made from Ash, as was the spear of Odin. The Celtic name for the Ash tree is Nion, pronounced knee-un. It is one of three trees sacred to the Druids (Ash, Oak and Thorn). This month is associated with spiritual journeys, any magicks focusing on the inner self, and propectic dreams.

Alder Moon: Mar 18 – Apr 14: At the time of the Spring Equinox, or Ostara, the Alder is flourishing on riverbanks, roots in the water, bridging that magical space between both heaven and earth. The Alder was called Fearn by the Celts, and pronounced fairin. During this period psychic development is at the forefront; divination and prophecy, connecting with your intuition, and making spiritual decisions are all good workings for this time.

Willow Moon: Apr 15 – May 12: The Willow grows best when there’s lots of rain, and in Europe there’s no shortage of that this time of year (think April showers). It was known to the Celts as Saille, pronounced Sahl-yeh. This is the period associated with healing and growth.

Hawthorn Moon: May 13 – Jun 9: Known as Huath by the ancient Celts, and pronounced Hoh-uh. The Hawthorn month is associated with fertility, masculine energy and fire due to its proximity to Beltane. Other associations with this month include anything to do with business and the career, as well as Faerie magick.

Oak Moon: Jun 10 – Jul 7: The Willow moon was known to the Celts as Saille, pronounced Sahl-yeh. The Celts called this month Duir, which some scholars believe to mean “door”, the root word of “Druid.” Magicks associated with this period are protection and strength, fertility, money and success, and good fortune.

Holly Moon: Jul 8 – Aug 4: The Holly moon was called Tinne, pronounced chihnn-uh, by the Celts. It was a symbol of masculine energy and firmness. The ancients used the wood of the Holly in the construction of weapons, but also in protective magic.

Hazel Moon: Aug 5 – Sep 1: The Hazel Moon was known to the Celts as Coll, which translates to “the life force inside you.” Hazelnuts are appearing on the trees, and are an early part of the harvest. Hazelnuts are associated with wisdom and protection.

Vine Moon: Sep 2 – Sep 29: The Celts called this month Muin. The Vine is a symbol of both happiness and wrath, and this month is often associated with Mabon. As such, magicks which focus on garden magick, joy, and the darker aspect of the Goddess are suited to being performed during this period.

Ivy Moon: Sep 20 – Oct 27: The Celts called this month Gort, pronounced go-ert.Samhain is near, and the Ivy is a fitting plant for this period as it often lives on after the host plant has died. As such, it reminds us of the cycle of death and rebirth, and is a good time for banishing the old to make way for the new.

Reed Moon: Oct 28 – Nov 23: The Celts called this month Negetal, pronounced nyettle, and is sometimes referred to as the Elm Moon by modern Pagans. During this period, magicks that focus on divination, death, energy work, spirits, and scrying are practiced.

Elder Moon: Nov 24 – Dec 23: The Celts called this month Ruish by the Celts (pronounced roo-esh). The elder moon is a time of endings, and suits magicks around creativity and renewal, new beginnings, as well as working with nature spirits.

Celtic Herb Lore

Celtic Herbs: Anemone

Latin: Anemone Pulsatilla Scottish Gaelic: Bainne Bo Bliatain Other Names: Wood Crowfoot, Smell Fox, Flawflower, Passover Flower Medicinal Uses: Effective against disorders of the mucous membranes, indigestion, catarrhhal affections of the eye, catarrhal diarrhea, menstrual difficulties, swolen testicles, bladder difficulties relating to age, spasmodic and whooping cough, bronchitis, headache, indolent ulcers, and incipient catarrh. Folklore: The flower petals of the plant foretell storms by closing up. They also close up at night, and it was commonly believed that this was because fairies nestled within and pulled the curtains ’round them. To gather the first anemones is considered protective. The plant was made into a pottage that was eaten at sacrificial feasts. Other Uses: The flower petals have been used as a dye. Tested Properties: Contains amemonin (pulsatilla camphor) and anemonic acid. Celtic Herbs: Apple Latin: Pyrus Malus Medicinal Uses: Thought to restore the powers of mind and body. Used specifically as a purgative of toxins (esp. of the liver), to quicken sedentary folk, for jaundice, skin eruptions, gout, burning and running eyes, weak or rheumatic eyes, constipation, dry and rough skin, stomach acidity, warts, and stones. Cider was believed to promote longevity. Folklore: The fruit was hailed as the food of the Sidhe folk (‘fruit of life of the Sidhe’); also seen as a passport to the Otherworld. Used in divination, especially at Samhain. It was said that apples would shrump up if picked when the moon was on the wane. Other Uses: Obviously, the fruit is a very popular food of widespread use. Made into a Celtic ‘lambswool’ (rather like applesauce and ale, mixed). A good skin ointment has traditionally been made of the fruit (“pomatum”). Made into beverages, desserts, dinner dishes and even breads. Tested Properties: Nutritive, Mucilaginous, Aromatic, Astringent. Contains much phosphorous. Celtic Herbs: Blackthorn Latin: Prunus spinosa Other Names: Sloe, Snag. The fruit are called Winter-picks or Prunelles. Medicinal Uses: An astringent medicine, also used for nosebleeds, constipation, eye pain and inflammation/ciliary neuralgia. Thought to improve vision. Folklore: The tree in bloom is considered an emblem of life and death in unison, as the beautiful white flowers appear when the tree has no leaves but only black bark and thorns; to carry or wear Blackthorn in blossom is thought to signify bringing a death token. Markings made upon linen with the fresh juice will never wash out. If three thorn trees are found growing closely together it’s considered wise to make a wide berth of them. This was a tree often beloved of the Sidhe (although the location of a tree was important to the Sidhe folk; it had to be growing within a rath or fairy ring, in a rocky field of rough grass, or by a large boulder or spring); anyone who harmed, or even disturbed a tree beloved of the Sidhe risked their wrath (which often came in the form of illness). Other Uses: The weather that prevails about the time of the tree’s flowering is called “Blackthorn Winter”. The wood was traditionally used as a flail and bludgeon. The leaves make a pleasing tea. The red juice imparts the colour and sub-acid roughness to port wine; Winter-pick wine takes the place of port for the common man. A desert liqueur and cordial is made provincially. The dried juice is Gum Acacia. Tested Properties: Astringent, Nutritive, Mucilaginous. A styptic. Celtic Herbs: Chamomile Latin: Anthemis Nobilis Scottish Gaelic: Athair Talamh Other Names: Earth Apple, Manzanilla, Father of the Ground Medicinal Uses: As a treatment for nervous excitability, spasmodic coughs, indigestion, distal neuralgia, nervous colic, stomach disorders, fatigue, delerium tremens, wounds; effective as a sedative, mosquito-repellant and intestinal wormer. Folklore: The herb’s ability to drive away flies was seen as evidence of its magical nature. Some commentary is made of the fact that Chamomile is regarded as a ‘plant physician’; if another plant is dying it will usually recover when Chamomile is planted near it, which was seen as a ‘magical’ ability. It dispels and prevents nightmares. The wild variety is far superior to the cultivated one. Tested Properties: Aromatic, Bitter. Anti-inflammatory Celtic Herbs: Chickweed Latin: Alsine, Stellaria Media Irish Gaelic: Fliodh, Seamair Mhuire, Luibh Nabh Francach Or Fleac Medicinal Uses: Used for swellings, and whooping cough. Urinary infections. Effective against childrens’ fits and gripes, scurvy, swellings, whooping cough, urinary infections, rheumatusm, stitches in the head and eyes, pressure and soreness about the liver, burning and bilious indigestion, general soreness (and specifically sore legs). Folklore: Seen as being ‘under the dominion of the moon’. The flowers have a strange, and well noted nighttime behaviour; they lean together in pairs when darkness falls and ‘protect’ small buds between them, which is seen as evidence of magical goings-on. Other Uses:Serves as food for a variety of small birds. Tested Properties: Contains earthy salts and potash. Emollient and cooling. Celtic Herbs: Comfrey Latin: Eupatorium Perfoliatum Irish Gaelic: Lus Na Gcn’amh Briste Other Names: Consound, Knit-Back, Bone-Set, Blackwort, Symphytum Medicinal Uses: Widespread use followed a faith in its ability to promote the healing of any bruised and broken parts. Used for wounds, the pain of inflammation, tenderness, broken bones, fractures and sprains, raw indolent ulcers, wounds of the nerves, tendons and arteries, cracked nipples, bleeding from the lungs or bladder. A useful preventative of foot and mouth disease in cattle. Other Uses: The herb has been used in tanning leather. In cooking it has served as an ingredient in aspic and a flavouring in cakes and panada. As well, a glue can be extracted from the root. Tested Properties: Astringent, Nutritive, Mucilaginous. Celtic Herbs: Dandelion Latin: Taraxacum Leontondon Scottish Gaelic: Garbh Lus Other Names: Rough Herb (in Scotland), Blowball, Time Table, Milk Gowan, Milk Golden, Wiggers, Swinesnout, Dashelflower, Priest’s Crown, Caput Monachi, Schoolboys’ Clock Medicinal Uses: As a treatment for ailments of the heart, hypertension, indigestion, coated tongue, night sweats, itching, cachexy; to prevent or stave off consumption, to remove warts, and to stimulate the liver and biliary organs. Folklore: Used for fanciful divination; the pattern of spores left when the crown was blown against was considered telling. The herb was also used to make protective wreaths or magical hoops. Tested Properties: Aromatic, Mucilaginous, Nutritive, Bitter. A good diuretic. Celtic Herbs: Dill Latin: Anethum Graveolins Other Names: Anet, Soyah Medicinal Uses: Considered effective against wind in children and adults, hiccough, swolen and cold limbs, indigestion, rheumatic pain, sciatica, and constipation. It was also used as a tranquilizer and to increase mothers’ milk. Folklore: Often spoken of as an ingredient in love charms; it is supposed that dill strips a witch of her will. The herb was used to make protective wreaths or magical hoops. Other Uses: Widely used as a spice, especially in pickling. Tested Properties: Aromatic. Celtic Herbs: Elder Latin: Sambucus Nigra Other Names: Arn, Akte, Bourtree (in Scotland), Eldrun, Burtre, Scovies, Iscaw Medicinal Uses: Credited as being a complete medicine chest in itself. Used as a purgative, fly repellant, for eye ailments, ill pigmentation, colds, constipation, asthma, sweating, croup, wheezing and cough, quinsy, sore mouth and throat, strangulations, congestion, fever, skin ailments, ‘serious humours of the blood’, haemorrhoids, nervous headache, burns and scalds, sprains, piles, swelling, dropsy, and epilepsy. Thought to induce longevity. Folklore: Second sight is imbued if the tree sap is applied to the eyelids. Elder was cultivated around cottages as it afforded propection. Growing or harvested crops beaten about with a green, leafy elder branch are immune to all depridations of blight and pest (except moths); the flowers are fatal to domestic fowl. The ability of the plant to repel flies is seen as magical. The flowers are somewhat narcotic and may therefore have been used in divination. It was believed the lightning never struck it, and therefore it afforded propection in a storm. A bough was buried with a corpse for protection; even now the traditional hearse driver’s whip is made of Elderwood. Beating with an elder rod was thought to arrest the growth of boys who were becoming too lanky or ‘weedy’. A cross of the wood, affixed to stables and cow-houses, afforded the livestock propection from possible harm; a cross made of Elder and Sallow was hung about children’s necks for protection against illness (especially where red thread was employed in the making of these charms). Folk belief held that the Dwarf Elder would only grow where blood had been shed in battle or murder. This was a tree often beloved of the Sidhe (although the location of a tree was important to the Sidhe folk; it had to be growing within a rath or fairy ring, in a rocky field of rough grass, or by a large boulder or spring); anyone who harmed, or even disturbed a tree beloved of the Sidhe risked their wrath (which often came in the form of illness). Other Uses: The hollow branches made tubes to blow through for brightening up a dull fire. Young branches were made into musical pipes. The flowers, when placed among apples, impart an agreeable odour and flavour to the fruit (like muscatel). Used to dye hair (black). The ‘rob’ of the buds and berries was made into preserves, cakes, and a capital wine (the 3-year old wine constitutes English port). The buds were made into pottage and small ale. The flowers have been distilled into perfume. Summer was traditionally marked from the flower of the Elder to the fruit. Sheep cure themselves of foot-rot by eating the bark and shoots. Tested Properties: Astringent, Bitter, Diuretic. Mucilaginous, Aromatic, Nutritive. Celtic Herbs: Eyebright Latin: Euphrasia Officinalis Irish Gaelic: Roisn’in Radhairc Scottish Gaelic: Lus-nan-Leac Other Names: Casse-lunettes, Augen Trost, Adhil Medicinal Uses: Widely used for all manner of eye ailments, as well as those affecting the lining of the nose and throat. Also used for hayfever, colds, coughs, sore throats, bronchial cough, scrofula, catarrh, and weak memory. Thought to improve brain function. The flower’s center resembles the human eye. Tested Properties: Astringent, Mucilaginous. Celtic Herbs: Foxglove Latin: Digitalis Purpurea Irish Gaelic: Me’aracan Dearg Other Names: Thimble Flower, Finger Flower, Gants de Notre Dame, Foxesglew, Fox Music, Flop-a-dock, Flop-top, Cow Flop, Flabby Dock, Throttle-wort. Known in Ireland as the Great Herb, Lunsmore, and Fairy Cap, Goblin’s Gloves (in Wales), Dead Men’s Bells (in Scotland) Medicinal Uses: Used externally for scrofulous swellings, and internally for colds. The plant entire is used to dispel fleas. Folklore: Used recreationally to obtain a kind of intoxicated high, thus possibly used in ritual/divination. No animal will touch the plant. Tested Properties: Bitter. The plant contains digitalin, a dangerous, active principle which acts on the kidneys and heart. Celtic Herbs: Garlic Latin: Three varieities of garlic grow wild in the British Isles and Ireland: Ramsons Allium ursinium, Crow Garlic Allium vineale, and purple striped garlic Allium oleraceum. Other Names: For Ramsons; Buck Rams, Buck Rampe, Bear’s Garlic, Star Flower Medicinal Uses: Garlic was believed to cure the bite of any venomous snake or reptile. Worked admirably well as a digestive aid. The odour was useful in reviving hysterical sufferers. Used against spasmodic affections of the chest, asthma, irritable spines, indolent scrofulous tumours, gout, red and irritated skin, plagues, tubercular consumption, erosive skin disease, lupus, abscesses, sores, rheumatism, nervous headache, and leprosy. Folklore: Used to drive away venomous creatures. A morsel when chewed by an athelete will ensure victory; it was also thought to be spurring to men in battle. If garlic was planted at the full moon it was said to come out like an onion, with only one clove instead of many. Other Uses: When Crow Garlic was fed to birds it so stupefied them that they could be caught by hand. Tested Properties: Stimulating, antispasmodic, expectorant and diuretic. Celtic Herbs: Horse Radish Latin: Cochlearia Armoracia Other Names: Mountain Radish, Great Raifort, Red Cole Medicinal Uses: A powerful stimulant. Used against facial neuralgia, rheumatic or palsied limbs, indigestion, hoarseness, sciatica, joint-ache, hard swellings of the spleen and liver, whooping cough, and acne. Employed to induce vomiting and sweating, and to stimulate the entire nervous system. Folklore: Metals turn black when touched by the root. The juices have been used to remove natural markings and pigmentation of the skin. Other Uses: Probably introduced and not native; the plant can be found growing most commonly near the sea. Widespread culinary use as a condiment and ‘spice’. It is a country habit to re-plant the horseradish after having taken a scraping or two from the root (and using the plant again and again in this manner until little was left). Used in a cosmetic; also used to remove freckles. Tested Properties: Expectorant, diuretic and emetic. Contains a large quantity of sulphur. Bitter, Mucilaginous, Nutritive, Aromatic. Celtic Herbs: Ivy Latin: Hedera Helix Other Names: Winter-grunt, Winter-green, Kissos Medicinal Uses: Employed for corns, plagues, spasms, rheumatism, lice and vermin, disorders of the spleen, whooping cough, neuralgic toothache, sore and smarting eyes, severe headache and hangover. Folklore: The plant is conspicuously green even during the coldest months of winter, and the flowers have no scent, both of these are seen as Otherworldly properties. The later custom among the common folk of decorating houses and churches at Christmastide with ivy was discouraged as being ‘Pagan’. Ivy was especially used for the protection of flocks; wreaths or magic hoops of ivy (with rowan and woodbine) were woven to stand under or around milk containers. The bruised plant destroys lice and vermin. Other Uses: The gum was employed as one of the first fillings for teeth. Ivy has always been associated with alcohol, perhaps because of its ability to cure hangover coupled with the fact that it was employed in the making of ale. Tested Properties: Contains balsamic resin and aromatic gum. Mildly aperient. Astringent, Aromatic, Bitter. Celtic Herbs: Lesser Century Latin: Erythroea Irish Gaelic: Dr’eimire Mhuire Other Names: Gall of the Earth, Christ’s Ladder, Felwort, Tausendgulden Kraut, the Herb of a Thousand Florins, a Hundred Golden Sovereigns, Center of the Sun Medicinal Uses: Effective when taken internally for rheumatsm, asthma, respiratory problems, languid digestion, heartburn, and poor appetite. Folklore: Some discussion is made of the fact that it grows wild in great abundance, and in a great many types of soils and conditions, but cannot be reared in a garden – thus the herb is believed to be under the care of magical folk/elements. Tested Properties: Bitter. Celtic Herbs: Lichen Latin: There are many varieties of lichens, those of the greatest medicinal value are Irish Moss Chondrus crispus, Oister-green Lichen marinum, and Iceland Moss. Scottish Gaelic: Dubh Cosac Other Names: For Irish Moss; Carrageen Medicinal Uses: Considered good for the heart. Employed against pulmonary consumption with bleeding from the lungs, gout, chronic sore throat, dysentery, diabetes, atrophy, and weakness of the back. Other Uses: All of these types of lichens are used in cooking. Irish Moss is often cooked as blancmange or made into pudding, sweetened with lemon rind, sugar and ratafia. Iceland Moss is made into cakes, bread, broth, and jelly. Tested Properties: Mucilaginous, Nutritive, Bitter. Iodine-rich. Celtic Herbs: Marigold Latin: Chrysanthemum Segetum Other Names: Corn Marigold, Mary Gowles, Bigold, Buddle, Boodle, Ruddles, Yellow Ox-eye Medicinal Uses: As a treatment for night sweats, fever, spasms, contusions, wounds, simple sores and ulcers, chronic vomiting, suppurative discharges and drainings, burns, and all breaches of the skin surface. Folklore: The herb was used to make protective wreaths or magical hoops. Marigold is one of the herbs believed to strip a witch of her will. Other Uses: Milkmaids churned marigold petals with their butter to colour it. Tested Properties: Astringent, Aromatic. Celtic Herbs: Milkwort Irish Gaelic: Gluinech Medicinal Uses: Employed against warts. Folklore: The herb was used to make protective wreaths or magical hoops. Celtic Herbs: Mistletoe Latin: Loranthus Viscum Other Names: Mistilton, All-heal, Vogelleim, Gui, Thunder-beson, Herbe de la Croix, Devil’s fuge, Spectre’s Wand Medicinal Uses: The dried young twigs and leaves are the principal medicinal components, employed against epilepsy, convulsions, and giddiness. It was thought to lessen reflex irritability and provide a tonic for the heart (as it strengthens the heartbeat). The berries, when chewed, provide immediate relief from stitches, and are still used for this by country folk. Folklore: Mistletoe is an evergreen parasite that grows on deciduous trees; the plant most favoured by the druids attached itself to the Oak (it was said that the mistletoe was the visible soul of the Oak), and Oaks sporting mistletoe are most sacred. Both its parasitic nature, and its bright colouring in winter, were seen as evidence of its magical nature. It was hung in houses for protection, and credited with endowing fertility to all animals. Mistletoe was harvested in a ritual fashion – those who meddled with it without respect were said to be struck blind in one eye, or lame in one leg, or to shortly suffer terrible injury to a limb. Mistletoe is never to be seen in modern churches, with the exception of a sculpted rendering of mistletoe in a tomb in Bristol Cathedral. Rites which involve holding a branch of mistletoe are believed to compell a spectre to appear and speak. Other Uses: A bird-lime is made from the viscin. Thrushes are attracted to mistletoe and are largely responsible for disseminating the parasitic plant. Tested Properties: Mucinaginous, Astringent, Aromatic, Bitter. Celtic Herbs: Mullein Latin: Verbascum Thapsus Scottish Gaelic: Lus Mor Other Names: Great Herb (in Scotland), Hedge Taper, Torch, Candela, Cendela Regia, Candelaria, Plant of the Lord, Adam’s Flannel, Blanket, Shepherd’s Club, Aaron’s Rod, Cuddie’s Lungs, Feldwode, Cow’s Lung Wort, Hare’s Beard, Jupiter’s Staff, Ladies’ Foxglove, Velvet Dock, Bullock’s Lung Wort Medicinal Uses: The plant is widely used in Ireland and Scotland against the symptoms of pulmonary consumption/tubercular lung disease. Also used for gout, falling sickness, hair loss, cramps, megrins, cough, asthma, migraine, ringworm, ear infection and consequent deafness, itching eczema, otorrhoea, enuresis, frost-bite, bruises, piles, and for ‘troublesome evils of the fundament’. Famed in Celtic countries for curing cattle of ‘the scab’ and lung diseases. Folklore: Widely used in folk magic. The herb is credited with being able to bring back children abducted by the Sidhe. A small bit of the plant, taken regularly, is believed to ensure long life. Staves off the putrification of fish, which was seen as evidence of magical properties. The plant was used as a torch at funerals and other gatherings. Other Uses: Used as a hair dye (blonde). Tested Properties: Bitter, Mucilaginous, Aromatic. Antibacterial. Celtic Herbs: Pennywort Irish Gaelic: Corn’an Caisil, Lus Na Pingine Medicinal Uses: Brewed into a medicinal tea. Celtic Herbs: Plantain Latin: Greater Plantain Plantago major, Ribwort Plantain Plantago lanceolata, and Water Plantain Alisma plantago Irish Gaelic: Cop’og Ph’adraig Scottish Gaelic: Slanlus Other Names: Greater Plantain; Waybred, Waybread, Waybroad. Ribwort Plantain; Ribgrass, Soldiers, Cocks-and-hens, Lamb’s Tongue, Hard-Heads, Fighting Cocks, Devil’s Head. Water Plantain; Greater Thrumwort. Known in Scotland as the Healing Plant Medicinal Uses: Applied externally for broken shins, toothache, and sores of every kind. Taken internally for tubercular consumption, fevers of the springtime, hemorrhages, bedwetting in children, piles, vernal ague, swollen legs with dropsy, and hydrophobia. Folklore: Used in divination (known in modern times to induce vivid, meaningful dreams when brewed in a tea); if hung around the neck of a child it would prevent abduction by the Sidhe. Toads were thought to cure themselves by eating the leaves. Other Uses: The expressed oil of the seeds (a favourite food of birds) is used in place of linseed oil; the root is sweet and has great culinary use as a starchy vegetable. Tested Properties: Aromatic, Astringent, Bitter, Nutritive. Antiseptic and expecorant. Celtic Herbs: Purple Loosestrife Irish Gaelic: Lus na S’iochana, Earball Cait’in or Cr’eachtach Medicinal Uses: Medicinal tonics. Folklore: To banish discord in a house. Other Uses: Used for dyeing Celtic Herbs: Purple Orchis Scottish Gaelic: Lus An Talaidh Other Names: Herb of Enticement (in Scotland), Satyrion, Gethsemane, Long Purples, Dead Men’s Fingers, Cain-and-Abel, Ram’s Horns, Crake Feet, Keat Legs, Neat Legs Medicinal Uses: Thought to renew exhausted vigour and vitality; used to allay hunger and to treat chronic diarrhea. Folklore: Considered to be a very magically endowed plant; used widely in love charms. The plant has two roots (one large, one small) which were seen to represent a man and a woman. These roots were used in divining the identity of a future spouse in at least two ways. In the first; with the thought of someone in your mind you picked the appropriate root before sunrise while facing south, then if the root sank when placed (immediately) in spring water the person in mind would indeed become your spouse. In the second divinatory method the root was ground up and placed under the pillow to bring dreams of your future mate. Other Uses: A starchy product called Salep or Saloop was made from the tubers and commonly drunk before the introduction of tea or coffee. Tested Properties: Nutritive, Aromatic, Mucilaginous Celtic Herbs: Ragwort Latin: Senecio Jacoboea Irish Gaelic: Buachal’an Bu’i Other Names: St. James’ Wort, Canker Wort, Flea Wort, Seggrum, Jacoby, Yellow-top, Stagger Wort, Stammer Wort, Fairies’ Horse Medicinal Uses: Used externally for sciatica and wasting disease; taken internally it is credited with being a tonic. Thought to cure the staggers in horses; used externally to cure fresh cut young bulls. Folklore: In Ireland this plant is dedicated to the fairies, they are supposed to gallop about on the blossoms at midnight. Tested Properties: Astringent. Contains senecin. Celtic Herbs: Ribgrass Scottish Gaelic: Slanugad Medicinal Uses: Thought to purge the body of any lumps. Celtic Herbs: Rowan Latin: Aucuparia Other Names: Mountain Ash, Quicken Tree, Quick Beam, Wiggen, Witcher Medicinal Uses: The unripe fruit and bark are used to check diarrhoea when taken internally; externally they soothe the throat and bowel in the form of lotions or poultices. Folklore: The tree is believed to avert the evil eye. Crosses made of the branches and tied with red thread were worn on the clothing of Highland men; Highland women wore necklaces of the berries strung with red thread (both charms were for for protection). Mystical secrets were believed to have been carved exclusively upon this tree in the British Isles and in Scandanavia. Planted at the door of a house the Rowan afforded protection; twigs were also placed over the byre door. This was a tree often beloved of the Sidhe (although the location of a tree was important to the Sidhe folk; it had to be growing within a rath or fairy ring, in a rocky field of rough grass, or by a large boulder or spring); anyone who harmed, or even disturbed a tree beloved of the Sidhe risked their wrath (which often came in the form of illness). Other Uses: The berries of the tree are eaten voraciously by birds, and are used to bait bird-snares. The berries make a delicious drink and jam. Tested Properties: Nutritive, Bitter, Astringent. The fruit contains malic and citric acid when ripe. The leaves contain prussic acid and are poisonous Celtic Herbs: St. John’s Wort Latin: Hypericum Perforatum Irish Gaelic: Luibh Eoin Baiste Other Names: The Devil’s Scourge, The Grace of God, The Lord God’s Wonder Plant, Witch’s Herb, Amber, Hundred-Holes, Terrestrial Sun Medicinal Uses: Used for bedwetting in children, insanity, hypochondria, bleeding, wounds, bruises, catarrhs, injuries of the spinal cord and nervous system, to avert sickness in children, baldness, bed-sores, ulcers, lockjaw, sciatica, broken shins, scabbed legs, to ward off fever. Employed as a sedative and pain reliever. Folklore: The sap is red and resembles blood. If anyone trod on the plant after sunset a fairy-house would appear and carry them about. Used on Midsummer, when picked under certain conditions and while uttering certain words, for divination. The herb was also used to make protective wreaths or magical hoops; St. John’s Wort is on of the herbs able to strip a witch of her will. Other Uses: Plant parts were used to dye fabric (yellow). Tested Properties: Astringent, Bitter, Aromatic, Diuretic. Celtic Herbs: Scarlet Pimpernel Latin: Anagallis Arvensis Irish Gaelic: Rinn Ruisc, Falcaire Fi’an, Seamair Mhuire Other Names: Burnet Medicinal Uses: Used for obstructions of the liver and spleen, melancholy and asociated mental disease, hydrophobia, epilepsy, urinary irritability, pulmonary consumption (in its early stages), and rheumatism. Folklore: Used recreationally and possibly magically for its narcotic properties; used magically to imbue second sight and/or hearing in a person. It’s usefulness in treating mental disease may indicate that it was formerly used as a remedy for enchantments. Tested Properties: Astringent, Bitter. Celtic Herbs: Self-Heal Latin: Self-heal is a name given to several hedge plants, including Wood Sanicle Sanicula Europoeia, Prunella/Brownwort/Brunella Prunella Vulgaris, Bugle/Middle Comfrey Ajuga reptans and Ladies’ Mantle Alchemilla. Irish Gaelic: Tae Na Ngarraithe, Du’ain’in An Tseanchais Welsh: Lluellin Medicinal Uses: Often seen as a cure-all, but used specifically for internal bleeding, sore throat (with swollen glands), cuts and wounds, dysentric diarrhea, and stones in the bladder. Considered soothing and comforting. Other Uses: Leaves were placed under the pillow to promote quiet sleep. Tested Properties: Astrinent, Aromatic. Celtic Herbs: Speedwell Latin: Polychresta Herba Veronica Irish Gaelic: Seamar Chr’e Other Names: Farewell, Goodbye, Forget-me-not (ancient), Birds’ Eyes, Blue Eyes, Strike Fires, Mammy Die, Fluellin, Cat’s Eye, the Paul’s Bettony, Prize of Honour Medicinal Uses: Used for scabby eruptions, gout, leprosy, coughs, asthma, catarrhs, pulmonary consumption, to stimulte the kidneys, to promote perspiration and reduce feverishness, against itching, and in the longterm to overcome sterility. Folklore: The herb was sewn into the garments as a protective charm, although there is an isolated folk belief that if the herb is brought into a family the mother will die within a year. Tested Properties: Astringent, Bitter. Celtic Herbs: Sphagnum Irish Gaelic: Sus’an Medicinal Uses: Used for dressing woundsCeltic Herbs: Celtic Herbs:Tansy Latin: Tanacutum Vulgare Other Names: Athanasia Medicinal Uses: Used internally and externally for gout, roundworm, ague, spasms, epilepsy, bruises, strains, colic, hysteria, skin diseases, and to prevent miscarriage. Thought to purify the humours of the body, and to be especially good for the heart. Used to preserve dead bodies. Folklore: Used recreationally, and possibly magically, to obtain a giddy high. It’s usefulness in treating hysteria may indicate that it was formerly used as a remedy for enchantments. The herb’s ability to drive away flies and its ability to stave off decay on flesh was seen as evidence of its magical nature. Other Uses: Young petals were used to flavour cakes, puddings and omlettes. Tested Properties: Bitter, Aromatic, Mucilaginous, Nutritive, Astringent. Celtic Herbs: Trailing Pearlwort Scottish Gaelic: Mothan Folklore: Carried as a protective herb. Believed to relieve labour pains when placed under the right knee of a woman in childbirth. It was traditionally fed to cows to protect both the milk and the calf. The herb prevented the family members from abduction by the Sidhe if place above a home’s door. It was also used by girls as a love charm; if you pull nine roots and knot them into a ring, then hold the ring in your mouth while seeking a kiss from the man you desire… the man will be yours. Celtic Herbs: Vervain Scottish Gaelic: Crubh-An-Leoghain Other Names: Dragon’s Claw (in Scotland), Common Vervain, Verbena, Simpler’s Joy, Holy Herb, Tears of Isis, Tears of Juno, Persephonion, Demetria, Frog-foot, Verbinaca, Peristerium, Juno’s Tears, Mercury’s Moist Blood, Pigeon’s Grass, Columbine, Sagmina Medicinal Uses: Used for ailments of the eye, thinning and ailing hair, sleeplessness, inveterate headache, scrofulous disease, indolent ulcers, and sore throat. Folklore: A sacred herb associated with visions and prophecy; the flowers adorned altars (it was supposedly as favoured by the Druids as Mistletoe). The herb was also used to make protective wreaths or magical hoops, and was also an ingredient in charms for love. Vervain was sprinkled about the dining chamber as it supposedly made the guests merrier. It is without any odour or taste, which is regarded as magical or Otherworldly. The reputation for being Pagan has clung to the plant as it was regarded as surpassingly sacred in pre-Christian times; worn around the neck as an amulet (that rendered the wearer inviolate) and widely employed in rituals. A country belief holds that the devil revealed Vervain as a secret, and a divine medicine, to men. Vervain is supposed to strip a witch of her will. Other Uses: Pigeons are attracted to the plant. Tested Properties: Sedative, anticoagulant. Astringent. Celtic Herbs: Water Buttercup Latin: Caltha Palustris Scottish Gaelic: Fearaban Other Names: Marsh Marigold, Mare-blobs, Marsh Horsegowl, Marsh Gowl, Marsh Golden Flower, Bublicans, Meadowbrights, Crazies, Christ’s Eyes, Bulls’ Eyes, May Blobs, Drunkards, Water Caltrops, Wild Bachelor’s Buttons Verrucaria, Solsequia, Solsequium, Sponsa Solis Medicinal Uses: Marsh Marigold was considered a most effective treatment for weak bloodlessness (anaemia), and overall for bones and joints. Also used for headache, giddiness, coated tongue, diarrhoea, intermittent, small or rapid pulse, heaving of the limbs, fits, unhealthy eruptive skin, and warts. Other Uses: Employed as a mild dye (yellow). Tested Properties: Astringent, Aromatic. A vulnerary. Celtic Herbs: Yarrow Latin: Achillea Millefolium, Achillea Ptarmiga Greek: Stratiotes Chiliophullos Irish Gaelic: Athair Tal’uin Other Names: Holy Herb, Milfoil, Nosebleed, Gearwe, Sanguinary, Thousand Leaf, Old Man’s Pepper, Soldiers’ Woundwort, Staunch Grass, Carpenters’ Weed, Bloodwort, Old Man’s Mustard, Bad Man’s Plaything, Devil’s Plaything, Devil’s Nettle, Militaris, Meleflower Medicinal Uses: The hairy filaments of the leaves were inhaled to cause nosebleed and cure headache; as well it was a famed herb for staunching blood flow in all forms. Also used for hysteria, flatulence, heartburn, colic, epilepsy, rheumatism, toothache, colds, internal bleeding, loss of appetite, ague, sore throat, sore nipples, heavy menstruation, piles, cuts and contusions, eliminates toxins. This herb intensifies the efficacy of other herbs when taken in conjunction. Folklore: Widespread use as a love charm (when picked in a certain fashion while speaking certain phrases); hung in homes for luck. Worn in a little bag about the neck to bring the bearer success, and to bring about the transmission of magical secrets. Very famous as one of the herbs of the “Lancashire Witches”, which one admitted to using to cure distemper and in divination. Brought by bridesmaids to weddings for ‘seven years love’. Used in divination, especially weather. Considered a sacred herb; picked at Midsummer. It’s usefulness in treating hysteria may indicate that it was formerly used as a remedy for enchantments. More Folklore: The leaves of the yarrow are placed over the eyes, and thus will allow someone to see into the Otherworld. The stems, when dried, can be used for divinatory purposes by holding them in your hand and casting them. Celtic folklore holds that witches could achieve flight by wearing a sprig of the yarrow plant within their cap, which is called a `Cappeen d’Yarrag.’ The yarrow also has strong healing powers/ This, though, could be attributed with its ability to banish negative forces. Tested Properties: Bitter, Aromatic and Astringent Ferns In Slavonic lore, the fern was sacred to the God Kupala. They often referred to it as the `Fire-Flower,’ and gathered it during a special ritual on the night that was sacred to this God during the midnight hours. The fern would then confer upon the person the ability to undersatdn the language of the plant kingdom. Other beliefs hold that the fern should be burned upon a balefire to induce rain. Scientifically, it has been shown that ferns, when burning, produce a chemical called silver nitrate that will cause rain. American farmers have been known to utilize this chemical for “seeding clouds” to produce rain during the dry season. “Lucky Hands” are fern fronds that have been dried over the summer solstice balefire. They can be hung around the home as protectants. Rumor has it that if at midnight on the summer solstice you go into an area of the woods that is thickly populated with ferns and are quiet and wait, then Puck will come and visit you and possibly grant you a wish.

Circle Casting

It’s helpful when casting a spell to create ritual space, and casting a circle is one way to do so. Not only does this ward off distracting energies, it helps to move the practitioner to a ritual state of mind. Not every practitioner casts a circle in the same way and often it’s best to experiment a bit and find what works for you.

Here’s a general guide:

1. Determine how much space you’ll need in your ritual. If you only need space for yourself, a good rule of thumb is to make a circle big enough to fit your outstretched arms. If you plan to stand or move around, or if your ritual includes something like an altar or more people, account for more space.

2. Make sure you have everything you need for your ritual before casting your circle. There’s nothing more distracting than realizing you’ve forgotten supplies and leaving to go fetch them. If you do need to leave for something mid-ritual, many find it helpful to visualize “cutting” out a door that you would seal up again when you return. This way, your circle is not interrupted.

3. Cleanse your ritual area. First, clean it physically by tidying up and vacuuming or sweeping (with a regular broom, not a ritual one) if needed. Then cleanse and purify the area of negative energy. Purifying processes include lightly brushing the floor with a besom (ritual broom), fanning incense around the area, smudging, sprinkling salt or salt water, and playing a musical instrument (I particularly like chimes and bells). The most important thing, no matter what method you use, is to visualize the negative energy dispersing. If you don’t focus and visualize, the physical actions will have little effect.

4. Once your space is cleansed and you are ready to begin, cast your circle. There is any number of ways to do this, but generally, people will trace out a circle with a wand, athame, or even their hand. Keep in mind that whatever tool you use does not have to actually touch the ground —you need simply point it down. Visualize protective energy coming from within you and direct it toward your casting arm (generally your dominant arm). Focus it through your casting tool and visualize a beam of energy coming from it and settling on the ground. Some like to cast a circle multiple times (for example, once for protection, once for focus, and once for power), but this is not necessary.

Sometimes practitioners like to call the four quarters (east, south, west, north), especially if their ritual involves invocations or presence with the divine. Sometimes a circle is marked with candles, stones, cord, or some other marker. Usually, a circle is imagined as a sphere or dome of energy. Keep in mind that the stronger your visualizations are, the better your circle will be cast. Take your time and focus.5. When your circle is cast, proceed with your ritual but always try to be aware of your circle. It would be unhelpful if you forgot about it and stepped outside.

Casting Spells Using Planetary Hours Magical Timing

Not every Witch worries about magical timing, but many feel that it gives a boost
of energy that is conducive to your efforts.
Another way to plan your magical timing is by planetary hours. Planetary hours
are useful if the ideal moon phase or moon sign is not possible when you want to
cast your spell. They will lend you even more energy to your moon phase and
moon sign timing.
Calculating planetary hours requires a bit of math, but if you can tell time and
divide, you will be fine. It looks more complex than it actually is, so let’s get
started.
What You Need to Know to Cast Spells
1. Planetary influence
2. The planetary hour
3. How to calculate daylight planetary hours
4. How to calculate nighttime planetary hours
5. The Chaldean order and the planets’ ruling days
6. How to piece it all together

1. How to Cast Spells Based on Planetary Influence
Planetary hours are the hours in the day associated with the various planets that
have astrological influence: Saturn, Jupiter, Mars, Sun, Venus, Mercury, the Moon,
and then the pattern is repeated. This sequence is known as the Chaldean order.
The Chaldean order is an ancient philosophy that is based on the planets’
distance and velocity relative to their centers of orbit from a heliocentric
perspective, as well as their astrological spheres from a geocentric perspective.
Each hour is ruled by a planet, and thus the planet’s influences briefly come into
play. Each day iskicked off by a different planetary influence. The difference that
seems to confuse everyone is that planetary hours do not match the 60 minute
hours of man-made time. They depend on the exact moments of sunrise and
sunset.

Chart of Planetary Influences
Planet Influences
Saturn
Long-term goals, career goals,
protection
Jupiter
Wealth and prosperity,
meditation, luck
Mars Courage, passion, defensive spells
Sun
Sunday Success, happiness,
healing, boosting physical energy,
strength
Venus
Love, romantic relationships,
beauty, domestic efforts
Mercury
Education,legal issues,
communications, selfimprovement, wisdom
Moon
Psychic abilities, gardening,
emotions, fertility, family

2. Example of How to Cast Spells with Planetary Hours
Let’s say I want to cast a spell to help me with a career goal. Ideally, for my goal,
the moon would be in Capricorn, but the moon doesn’t enter Capricorn until near
the end of the month. Worse, Mercury is in retrograde from now until February
28th, and that won’t do at all! I just can’t wait, so I decide to use the planetary
hours of Saturn to draw the influences from it that I need, and I choose to do the
spell on February 13th because the moon phase is good and I’m off that night.
So let’s walk through the process of how to cast spells for the best outcome with
planetary hours. I promise, try it a couple of times and you’ll find it’s not as
complicated as you think!
3. How to Calculate Daylight Planetary Hours to Cast Spells
The bolded text below are instructions for how to calculate planetary hours. The
non-bolded text is how I would calculate using the specific February 13th example
above.
1. Find the exact moments of sunrise and sunset.
You can find that in your local newspaper, or by going online. For my example, I
looked up the time of the sunrise in my local paper. On February 13th, the sun is
rising at 7:10 A.M. and setting at 6:20 P.M.

2. Calculate the number of minutes between sunrise and sunset.
From 7:10 A.M. to 7:59 A.M. there are 49 minutes until the start of sunrise until
the complete sunrise. From 8 A.M. to 6 P.M. is 10 hours until the start of sunset.
Multiplied by 60 minutes (10 hours X 60 minutes = 600 minutes). From 6:01
through 6:19 gives me 18 minutes until complete sunset. If I add 49 minutes + 600
minutes + 18 minutes = 668 minutes of daylight hours.

3. Divide the number of daylight minutes by 12.
There are 668 minutes between sunrise and sunset on February 13th, so we would
calculate 668/12 = 55.58. In our example, we’ll only use the even minutes. Each
planetary hour will be about 55 minutes long.
4. Figure out the times your daylight planetary hours begin and end.
in our example, since the sun is rising at 7:10 A.M. we’ll start there and keep
adding 55 minutes. The calculation for February 13th’s daylight hours are in the
table below.

Example of Calculated Daylight Hours for Feb. 13th
Time Hour
7:10 am to 8:05 am 1st planetary hour
8:06 am to 9:01 am 2nd planetary hour
9:02 am to 9:56 am 3rd planetary hour
9:58 am to 10:53 am 4th planetary hour
10:54 am to 11:49 am 5th planetary hour
11:50 am to 12:45 pm 6th planetary hour
12:46 pm to 1:41 pm 7th planetary hour
1:42 pm to 2:37 pm 8th planetary hour
2:38 pm to 3:33 pm 9th planetary hour
3:34 pm to 4:29 pm 10th planetary hour
4:30 pm to 5:25 pm 11th planetary hour
5:26 pm to 6:20 pm 12th planetary hour*
*Note that because of that .58 of a second there can be slight variations and it may
not come out precise—that’s okay, though; less than 6/10 of a second difference
is not enough to really matter

Planetary Hour Fun Fact
There are 2 days of the year when your planetary hours will be exactly the same
for daytime and night time: The spring and autumn equinoxes. On these two
days, daytime and night time are completely balanced, 12 hours long each.
It’s also the only two days of the year when your planetary hours will actually be
60 minute hours!
4. Casting Spells Using Night time Planetary Hours
Now, I’m only half-way through calculating a 24 hour period. I’ve calculated the
first 12 daylight planetary hours, now I want to calculate the 12 night time
planetary hours. The process is roughly the same, but the length of each hour will
almost always be different. Remember, for half the years, days are longer and
nights are shorter; for the other half of the year, that reverses.
1. Find the time of sunset and the time of the next day’s sunrise.
Using our example, the sun is set hour is 6:20 pm; the sun rise the next morning
is 7:09 am (a minute earlier than the day before).
2. Calculate the minutes between sunset and sunrise.
6:21 pm to 6:59 pm = 38 minutes. There are 12 hours between 7 am and 7 pm, so
12*60= 720 minutes. 7:01 am to 7:09 am = 8 minutes. I add up all the minutes: 38
+ 720 +8 = 766 minutes between sunset and next day sunrise.
3. Divide the minutes between sunset and next day sunrise by 12 to find the length
of night time planetary hours.
766/12 = 63.91. So that’s 63 minutes long for each night time planetary hour on
Feb. 13th.
4. Complete the chart, picking it up where you left off.
In my example, I would be adding 63 minutes for each planetary hour, and the
remainder of my chart to cast spells by planetary hours would look like this:

Example of Calculated Planetary Hours for Feb. 13th
Time Hour
6:20 pm to 7:23 pm 13th planetary hour
7:24 pm to 8:27 pm 14th planetary hour
8:28 pm to 9:32 pm 15th planetary hour*
9:33 pm to 10:36 pm 16th planetary hour
10:37 pm to 11:40 pm 17th planetary hour
11:41 pm to 12:45 am 18th planetary hour*
12:46 am to 1:49 am 19th planetary hour
1:50 am to 2:53 am 20 planetary hour
2:54 am to 3:58 21st planetary hour*
3:59 am to 5:02 am 22nd planetary hour
5:03 am to 6:06 am 23rd planetary hour
6:07 am – 7:09 pm 24th planetary hour
*Note that here we have a .91 variation here, which actually does make some
difference, because that’s almost one whole second difference. To compensate, for
every 3rd hour, I’m going to add 1 second to keep it more even. Again, calculations
will be
5. Using the Chaldean Order in Sequence
Now you know (roughly) what time each planetary hourbegins and what time it
ends for a full 24-hour period. Now you’re going to apply the Chaldeon order of
planets to it. This will depend on the day of the week.
Each day of the week, the first planetary hour begins with a different planet. You
can see examples of this in the table below.
Planets Ruling Days of the Week
Day of the Week Ruling Planet
Sunday Sun
Monday Moon
Tuesday Mars
Wednesday Mercury
Thursday Jupiter
Friday Venus
Saturday Saturn

6. So How Does It All Fit Together?
1. Figure out the ruling planet of the day.
In my case, the ruling planet on February 13th would be Jupiter, since the day falls
on a Thursday.
2. Make the ruling planet of the day your first planetary hour for that day.
My first planetary hour is from 7:10 to 8:05 A.M. for Thursday, Feb. 13th;
therefore, my first planetary hour would be ruled by Jupiter.
3. Continue listing the rest of the planets in the Chaldean sequence. Repeat the
sequence for the rest of the day’s hours.
The Chaldean sequence was mentioned earlier: Saturn, Jupiter, Mars, Sun, Venus,
Mercury, and the Moon. Since my first planetary hour is Jupiter, I’ll start with
that, so my second planetary hour would be Mars, then the Sun, and so on.
Below, you’ll find my final calculation for casting spells on February 13th.

Example of Calculated Planetary Hours for 24-Hour Period, Feb. 13th
Planetary Hour
Time I calculated for that
day
Planet (starting planet
based on day of week it
is)
1st Planetary Hour 7:10 am -8:05am Jupiter
2nd Planetary Hour 8:06 am to 9:01 am Mars
3rd Planetary Hour 9:02 am to 9:56 am Sun
4th Planetary Hour 9:58 am to 10:53 am Venus
5th Planetary Hour 10:54 am to 11:49 am Mercury
6th Planetary Hour 11:50 am to 12:45 pm Moon
7th Planetary Hour 12:46 pm to 1:41 pm Saturn
8th Planetary Hour 1:42 pm to 2:37 pm Jupiter
9th Planetary Hour 2:38 pm to 3:33 pm Mars
10th Planetary Hour 3:34 pm to 4:29 pm Sun
11th Planetary Hour 4:30 pm to 5:25 pm Venus
12th Planetary Hour 5:26 pm to 6:20 pm Mercury
13th Planetary Hour 6:20 pm to 7:23 pm Moon
Planetary Hour
Time I calculated for that
day
Planet (starting planet
based on day of week it
is)
14th Planetary Hour 7:24 pm to 8:27 pm Saturn
15th Planetary Hour 8:28 pm to 9:32 pm Jupiter
16th Planetary Hour 9:33 pm to 10:36 pm Mars
17th Planetary Hour 10:37 pm to 11:40 pm Sun
18th Planetary Hour 11:41 pm to 12:45 am Venus
19th Planetary Hour 12:46 am to 1:49 am Mercury
20th Planetary Hour 1:50 am to 2:53 am Moon
21st Planetary Hour 2:54 am to 3:58 Saturn
22nd Planetary Hour 3:59am to 5:02 am Jupiter
23rd Planetary Hour 5:03 am to 6:06 am Mars
24th Planetary Hour 6:07 am – 7:09 Sun

Bingo! I Have My Timing to Cast Spells
I found that my planetary hours will be influenced by Saturn. Now I know how to
cast spells successfully at 12:46 P.M. to 1:41 P.M., 7:24 P.M. to 8:27 P.M., or 2:54
A.M. to 3:58 A.M., despite the fact that other times would be working against me.
Sound confusing? Yes, it can seem that way, if you’re looking at it all at once. But
if you break down the steps, take them as one task at a time, you will find it’s not
all that difficult—just a bit tedious.
Still, once you get the hang of how to cast spells with planetary hours, it’ll only
take you a few minutes to figure out your timing. This scared me the first time I
was taught on how to do this. After a few tries, I could do it in 10 minutes.
To practice, actually try to calculate any day at random. By doing it just once, a lot
of the confusion falls away and you understand the process better.
When it comes to casting spells, my magical motto is, “every little bit helps!” Any
little boost I can use to affect my spell, I’m going to take it. If you’re already
working with magical timing when spell casting, give planetary hours a try

Why we cast Circles

They say that the longest journey begins with a single step.

So, too, the exploration of Magickal studies begins with a single step.

Though the first step in a physical journey is often self-evident, the First Step on a Magickal journey is often not quite so clear.

While formally organized groups often have a path of lessons to instruct newcomers, the solitary or isolated student is often left standing in perplexity on this broad plain of knowledge, wondering just where in the heck to begin.

And wondering, too, if it’s “okay” to start just anywhere.

While it’s true that studies can begin in any direction that attracts you, the necessary first step must be learning to make psychic shields.

There are “Things of the Dark” out there.

There are any number of explanations for what these things might be — ghosts, demons, or simply uncontrolled urges of the subconscious mind.

In truth, it doesn’t matter what they are. What does matter is that their effect is very real and unless they are put under your control, they will drag you over the borders of sanity into psychosis.

You are most vulnerable to them while you’re in an “open” trance or meditative state.

That’s why the wise practitioner always begins by taking steps to define exactly what will be permitted through the portals of their “psychic shields” — no matter how simple the ritual.

And this, in a nutshell, is what “protective magic” is about.

There are a number of ways to do this.

The most common is to begin by drawing a circle (around a group or yourself) and invoking the one or more protective powers.

Generally, this is done by candlelight, in front of an altar that holds certain magical objects.

The circle may be further “secured” and “cleared” by using salt, salt water, rum, incense, or some other method.

You may be wearing a special robe and will have taken a bath (or performed a cleansing ritual) earlier.

The powers that protect you will be called on and then you will begin your ritual.

Is it psychological?

Is there a reason why protection rituals always take this form?

Let’s take a step back and see what you’re actually doing and how the process works — from a psychological standpoint — and how to use this knowledge to help you refine your circles to enhance your rituals.

Psychologists and psychics alike view the mind’s structure as a three-part entity:

The Ego (that which you think of as yourself), the Superego (the “higher self”) and the ID (the child within).

The ID is, in a sense, a computer. Like most computers, it operates on the GIGO (Garbage In, Garbage Out) principle.

There’s an old superstition: “As you name something, so will it become.”

Tell yourself that you’re very unlucky and your Id will obligingly give you bad days by enhancing any negatives in your environment.

Tell yourself that you are clumsy, and your Id-computer will obligingly arrange for you to break a leg while stepping off the sidewalk.

The bad news is that the Id can’t make a judgement as to whether or not this is a good idea.

It only knows that it’s received these “instructions” and must carry them out.

The good news is that you can actually program/reprogram this portion of your mind.

You begin programming this Internal Servant of yours by first drawing its attention to what you want done and then explaining what you need done in a simple and clear manner.

Repeating the instructions in a chant help fix the goals for the Id — rhymed chants seem to be easier for it to process.

Each time you perform the ritual and repeat the chant, the programming is strengthened.

Never mind that your ego and superego understand that you’re going to program the child-like ID.

It works just the same.

To direct the Id’s attention to the process, you first have to impress it.

Using special tools and clothing alert it that something unusual is going on and that it must pay attention.

Acquiring hard-to-obtain items, drawing symbols, and performing a symbolic sacrifice (donating money, say, to a good cause) are all ways of reinforcing the ID’s impression that this ceremony is very special and that the result will be very powerful.

Organized, meaningful symbols, speak to your subconscious mind in ways it understands, reinforcing the goals you have set.

Drawing the circle itself establishes boundaries within your environment (“The rest of the world can do what it likes Out There. All within this circle is in my control!”).

Purifying the circle and consecrating it (sprinkling water which has been blessed and salt added) further enforce your territory, defining the borders where you are “safe”.

Nothing can enter this area except what you invite inside. You further tighten these borders by calling on certain Powers.

You can call on any powers you like.

Some use traditional Christian images.

Others call up deities from the religion they are most comfortable with.

And many people use the thought/image of a beam of light that represents either God/Goddess (whichever one they like) or the power of light and life and goodness in the Universe.

The number of powers called as guardians varies.

You may choose to invoke one powerful being to protect your circle.

Or you might call on the Universal Being/Light and four guardians (one for each quarter of the compass).

A third approach is to use a guardian for the four quarters of the compass and no higher being.

There is no “absolutely correct” system; the correct system is the one that you are comfortable with.

Take time to choose the guardians of your circle carefully.

You should select guardians (gods or animals or some form of life) which have a deeper meaning to you and whose qualities are in harmony with your goals.

For the new student, it’s best to have all your Powers and Guardians from the same belief system/religion/mythic universe so that the symbols will be consistent and not confuse the Id.

As your studies continue, you will find that your totems or guardians change.

This is to be expected; as you explore new realms in your studies, you may find you need guardians who deal with very specific areas to strengthen and guide you in these new fields.

But don’t make the mistake of assuming that you’ll become so powerful that you will never need the protection of the psychic shielding circle in some form.

And don’t assume that you will not need a circle for “positive” magicks such as healing.

Open is open — and open is vulnerable. And circles strengthen and protect you by defining what psychological influences will be allowed to work with you.

Casting A Dual Circle

First consecrate the salt symbolizing the Earth element in the North of the altar by stirring it three times with an athame, wand or crystal, and visualize radiance pouring into it.

* Stir the water, also three times deosil with the athame, wand or pointed crystal, asking the light and the Goddess to enter it.

* Add a few grains of salt to the water and stir it, saying:

May power thus be doubled,
thus increased,
as life joins life
to create a greater force
even than these.

* Stand either just within or beyond the first circle perimeter.

* Walk deosil round the circle, sprinkling the circle line, physical or envisaged, with your salt water.

In formal rituals, the High Priestess consecrates the salt and the High Priest the water and they mingle them. The High Priestess then creates the first circle and the High Priest the second.

Casting A Triple Circle

Three is a sacred number in magick and for special ceremonies, you can create a triple circle of both power and protection. The number three represents the three aspects of the god figure in many religions: the Holy Trinity, the Triple Goddess, the three aspects of the Moon -maiden, mother and wise woman or crone – the trefoil or triple god of the Celts, and the even older Egyptian trinity of Isis,

Osiris and Horus, the young Sky God. This triplicity is still celebrated when we turn our money over and bow three times to the Moon for good luck.

* Create your first two circles of light and salt water.
* Return to the place where you began.
* Place the bowl on the altar and light your incense; you can either light a stick in a secure holder or sprinkle incense on a charcoal block burning within the censer.
* Make your final circle with incense, just beyond the lines of salt and water.

There are other variations of this, including creating your outer circle of light by walking with your candle in a broad-based holder, followed by the salt water and the incense.

Un Casting A Circle

When you have completed your spells or rituals, you should close the circle. This is done by simply reversing the casting process.

* Thank the Guardians and send the light of the elemental candles to whoever needs it.

* Extinguish the elemental candles in reverse order of lighting. Visualize the light fading and say,
together with any present: Let the circle be uncast but remain unbroken. Merry meet and merry part and merry meet again.

* Leave the altar candles to burn down.

Casting a Circle

Here is how to cast and take down a magic circle.
What to Do:

  1. Center and ground.
  2. Draw energy up from the earth into your core and let it
    flow down the arm of your dominant hand.
  3. Imagine the earth energy flowing out of your fingers.
    Point your hand to the side and either turn slowly in
    place or walk around the perimeter of your space,
    visualizing the energy flowing out like a ribbon to
    surround your working area. Finish the circle by
    visualizing the ribbon of energy meeting the other end
    you started with.
  4. Once the ring of energy is complete, visualize the
    energy stretching up to form walls, then continuing into
    a dome over your head. Visualize a similar hemisphere
    under you, so that the energy surrounds you like a full
    sphere.
  5. When your work is complete, visualize this in reverse.
    See the half spheres above and below you recede back
    into the simple ribbon of energy circled around you.
    Then point your hand at where the circle began and
    ended and trace it in reverse, imagining the energy
    flowing back to your hand and up your arm to your core.
    Make sure to allow it to flow past your core and down
    your connection to the earth to allow it to rejoin the
    earth energy it came from

Suggestions for Candle Magick

Whenever possible make your own candles.

While the wax is in a liquid form, add a corresponding oil, herbs, or flower petals.

For example, if you are doing a money spell you could add Heliotrope oil and mint leaves.

When dressing the candle, close your eyes, concentrate, and visualize what the candle represents.

See in your mind’s eye the manifestation of your desire.

Always keep in mind, and allow for, the burning time of the candle when scripting a spell or ritual.

When creating your own spells, always use the proper phase of the moon and planetary symbolism.

This will align the spell with the natural flow of energy produced by the moon and corresponding planet, giving the spell more power.

Ingredients for Candle Making

Beeswax

The most common types of wax used in candle making are beeswax, paraffin wax, and dip-and-carve wax.

Beeswax is an all natural wax with a sweet aroma. It is preferred because it adds softness and beauty to candles and it also increases burning time. It is also more expensive.

Beeswax comes in one-pound cakes or sheets. The sheets are sometimes used for making rolled candles. The rectangular sheets measure about 8 x 16 inches and are available in natural taupe, bleached white, and various dyed colors.

Beeswax can be used alone or combined with other waxes. Adding beeswax to other commonly used waxes will both soften colors and enhance burning time.

When using beeswax remember that it is naturally sticky. When making molded candles you will want to treat the mold with a releasing agent (such as silicone spray) to make it easier to remove the candle. Also, keeping the temperature above 160° F when you pour the candle will help to keep it from sticking as much.

When you are using 100% beeswax to make candles there is no need to add opaque crystals (beeswax is naturally opaque) or stearin to your candles. These two ingredients are listed below.

Paraffin wax

Paraffin wax is less expensive and more widely available than other types of wax. It is the primary ingredient in most molded candles. Because it is colorless and odorless it is also used more when adding dyes and fragrances. It is also harder than beeswax and produces a candle with a sheen. When combining beeswax and paraffin wax use a ratio of one part beeswax to ten parts paraffin wax. You should not have any problems with sticking when using this small amount of beeswax.

Paraffin comes in ten or twelve-pound blocks or in granular form. You can also buy it with ten percent stearin already added. You can also find different types of paraffin wax, classified by the temperature at which it melts and the pliability of the wax at room temperature. For most candle-making projects, it is best to get paraffin wax that melts at 135° F to 140° F but you will still need to melt the wax to 160° F or
more for most recipes. The exact temperature depends on the candle-making method you are using, the type of mold and the effect that you want to achieve.

Dip-and-carve wax is a little softer than paraffin wax. This quality keeps it from cracking when it is carved. It is also better for dipped candles. The softer wax helps the layers adhere to each other better.

Wick

The wick is a conduct that supplies the flame with a steady stream of wax. The best wicks to use are made with tightly woven cotton fibers. Wicks come in rolls or pre-cut lengths. Although they are made of cotton most will be treated with substances that allow the wick to burn along with the wax.

There are three types of wicks: flat braid for dipped candles, square braid for molded and rolled candles, and wire-core for long-burning candles such as container candles. Be sure to choose the right wick for the candle you are making. The width of the candle determines the thickness of the wick. If your wick is too thin for the candle it will not supply enough wax to the flame and your candle will not stay lit. If the wick is too thick it will flood the flame with melted wax. The package that the wick comes in will suggest the best candle-diameter.

If your not sure here are some guidelines:
• Candles 3/4 inch in diameter or less use 4/0
• Candles 3/4 – 2 inches use 2/0
• Candles 2 – 3 inches use a #1
• Candles 3 – 4 inches use a #2
• Candles over 4 inches use a #3

Wick Holders

These are small squares of metal with a hole in the middle. They are used to anchor the wick to the bottom of container candles. Insert the wick into the hole and pinch the holder together to hold the wick in place.

Elemental Candle Colours

Each of the four elements – Air, Fire, Water and Earth – is represented by a single candle colour – yellow, red, blue and green.

A coloured candle representing each of the elements can be placed at the four main compass points around the circle to mark the quarters – East, South, West and North.

You can place the elemental candles either on the edge of the circle in sturdy floor-standing holders, or on small tables or plinths at the compass points.

Though each element is represented by a single candle, you can use a second to increase a particular element in its own quadrant of the circle or use the elemental colour in all four quadrants.

So, for example, if you were carrying out a Fire spell, you could use four red (or gold or orange) candles and begin the ritual facing South.

Some practitioners invoke Fire to conquer floods and Water to conquer drought but I believe that each element can most effectively counter excesses of itself.

Light elemental candles after the altar candles, after you have cast the circles but before lighting any wish or astrological candle. Begin in the North, with a green candle.

Candle Gardens

At times witches may receive a lot of requests for help.

These requests may come from, people who are ill,  or grieving,  or maybe need healing, they could be lonely, possibly victimized, or challenged in some other way, that they will turn to someone else for assistance.

It is almost certain that it will never be possible to cast spells for everyone.

However, it can be a good practice is to light candles for people. with the magickal intent of. sending energy for whatever their specific need is.

At times witches may also work magickally on personal objectives.

Often work can be carried out  on several of these personal objectives, simultaneously, such as health, prosperity, and protection.

Creating magickal candle gardens is one way to keep these practices organized.

A candle garden is a collection of attractively arranged candles, usually of different sizes, that are all burned at the same time.

When a candle garden is meant simply for home decoration, its candles are often all the same color, shape, and scent.

They are generally purchased in the same place, at the same time, and chosen only for appearance.

It takes a great deal more thought and planning to create a magickal candle garden.

Such a “garden” should contain separate candles for each person, condition, problem, idea, or issue for which its candles are burned.

Each candle should be carefully selected so that its size, shape, color, or scent resonates with its magickal intent or with the person or thing that the candle is meant to represent.

Each of the candles in a magickal garden should be unique, yet, as in a flower garden, all of the parts of the whole must work harmoniously together.

The candle arrangement should please the eye, and the different scents should mingle pleasantly rather than clash with one another.

A magickal candle garden is personal.

You determine how your garden will look, what its purpose will be, when it will be used, and how long you will burn the candles each time you activate the garden.

You can burn them every day, on certain days of the week, at appointed phases of the Moon, whenever you have a need, or simply whenever you feel like lighting them.

The more frequently that a candle garden is used, the stronger its magick will grow.